9th to the Nth is the final concert in the Rhode Island Philharmonic Orchestra's 2009–2010 classical series. Led by acclaimed conductor Larry Rachleff, the longtime music director for the Rhode Island Philharmonic, the orchestra will allegro and adagio its way through the "Stairway to Heaven" of classical music—Ludwig van Beethoven's Ninth Symphony, featuring the acclaimed "Ode to Joy" choral theme and performed with the assistance of the Providence Singers. The Ninth Symphony was Beethoven's final complete symphony, and, at over an hour, it is his longest. In the 186 years since its original premiere, it has gone on to be one of the world's most recognizable non-Ohio Players pieces of music. Also appearing on the "9th to the Nth" program is Decoration Day, written by American composer Charles Ives.
Over seven years, the Boston String Quartet has vibrated strings in collaboration with artists such as John Mayer and the Boston Ballet, stirred the air molecules at Symphony Hall and PBS, and performed by invitation for former President George H.W. Bush. With this deal, eighth-note connoisseurs can wrap their eardrums around the quartet's dulcet tones as they present "Xibus," an evening of contemporary and classical that marks the zenith of a two-day workshop collaborating with Finneytown High School orchestra students. Over the course of the evening program, the quartet and the students will cajole their chordophones into ringing out in harmonious arrangements of music by Carlos Santana, the Beatles, Led Zeppelin, and Bill Gates's new Viking-punk band, as well as performing original compositions by members of Boston String Quartet.
New Bedford Festival Theatre is devoted to musicals. Since 1990, they have entertained over 200,000 audience members with Broadway-style shows that span the genre's past and present. Staples such as Cats and The Producers balance lesser-known works such as La Cage aux Folles and The Producers 2: Playbill of Revenge to enrich the cultural knowledge of the public. And their efforts have not gone in vain. The New England Theatre Conference awarded New Bedford Festival Theatre the Moss Hart Award for its performances of Les Misérables and Hairspray.
First established in 1913, the Plymouth Philharmonic Orchestra proudly embraces a storied history that saw the group blossom from a 30-piece ensemble to a professional symphony orchestra of 75 musicians. Steven Karidoyanes has marshaled this acoustical army as its music director since 1994, leading them in performances at venues across the state.
Drawing on a background that includes 27 years as a violinist with the Boston Symphony Orchestra, music director Max Hobart leads the Wellesley Symphony Orchestra through carefully curated programs with verve. The Valentine's Love Fest concert stars operatic husband-wife duo Brian Landry and contralto Ana Maria Ugarte as they essay songs from Carmen, Tosca, and Rigoletto, melting hearts and shattering brittle emotion processors with their voices' romantic resonance. The orchestra's musicians enhance the euphony with pieces by Wagner, Saint-Saëns, and Puccini. A preconcert lecture given by Wellesley Symphony Orchestra president Leslie Holmes educates listeners with info about the music and its interpreters.
Music director Lewis Buckley headed the U.S. Coast Guard band and conducted several prominent New England symphonies before landing at the Metropolitan Wind Symphony, which has been tickling eardrums with woodwind, brass, and percussion concerts since 1971. "An ACB Preview" celebrates the 75-member symphony's invitation to play at the 2012 annual conference of the Association of Concert Bands with a sampling of the program they'll perform for a national audience. The concert kicks off with Percy Grainger's Lincolnshire Posy, which recasts six English folk songs as lush, wind-powered melodies free of interrupting Robin Hoods. Principal oboist Elana Lorance takes charge in James Kessler's Hudson River Rhapsody and a new transcription of Gershwin's An American in Paris ends the evening with Gallic-via-Broadway aplomb. Starting at 1:30 p.m., a preconcert talk by maestro Buckley unveils some of the music's hidden features and lets uncertain ears nuzzle the score.