Since greasing its first lane in 1958, Lariat Lanes has spent the past half century serving its community with family-friendly bowling and entertainment. Located just a short distance from downtown Minneapolis, the pin-punishing emporium touts a lineup of 12 ultrasleek lanes that lend their surfaces to leagues, parties, and daily sessions of open bowling. Memorabilia adorns the alley's walls to create a timeline of storied collectibles, including keepsakes signed by the Rolling Stones, Garth Brooks, Trisha Yearwood, and the Beastie Boys. In between evading gutters and matchbox cars using the lanes as a drag strip, guests can refuel with hot dogs, wings, and nachos at the restaurant or sip sodas and beers in the bar, where local sports games illuminate TV screens.
One hundred thirty six steps lead to the top of the Eagle's Nest, Water Park of America's fastest body slide. From a perch on the 10th floor, visitors careen down five floors before rocketing into a pool of water. Greater drops await riders of the park's twin body slides, whose six-floor descent veers outside the building before ending in a big splash, and indoor family raft ride, which travels more than a mile down 10 stories.
Down on the main floor, a 500-gallon bucket douses the children's play area with water every 135 seconds. Games of basketball unfold around four hoops in the activity pool's shallows, and tubes float down a winding river past attractions named for Minnesotan bodies of water. At the Flowrider, guests battle gravity to stay upright on a surfboard positioned on a sheet of water that flows 25–30 mph.
More challenges await guests in an arcade stocked with classic games such as skeeball and air hockey, which requires players to blow on a puck until it reaches their opponent's goal. More than 70 games reward skilled visitors with tickets, which they can trade for prizes such as an X-Box 360. With cuisine including housemade pizza and entertainment such as six high-definition televisions, Water Park America's three restaurants re-energize guests after enduring full days of swimming, sliding, and gaming.
Over the last 50 years, The Park Tavern has perfected the convivial trifecta of eating, drinking, and bowling. A menu of gourmet burgers and traditional pub fare mingles with a drink menu of domestic and imported beers and wines for between-frame refueling. On Mondays, the alley fills with high-energy tunes, and bowling balls careen all night during the $5 all-you-can-bowl nights. The Park Tavern rolls out its varied bowling buffets for corporate events, birthday parties, or the anniversary of the end of bowling prohibition during the Nixon administration.
In 1879, a lumber baron named Thomas Barlow Walker built an extra room onto his house. He mounted his 20 favorite paintings on the room's walls and opened it to the public. This private collection transformed into a public gallery with the founding of Walker Art Center in 1927. Over the following decades, the center's staff amassed a collection focused on modern art, gathering works from Pablo Picasso, Henry Moore, and Alberto Giacometti. Today, this permanent collection has expanded to encompass more than 11,000 modern and contemporary paintings, sculptures, and photographs, more than 800 film pieces, and more than 1,200 artists' books.
In the whimsical multistory geometric helix of the Barnes building, seven cube-shaped galleries radiate from a central core on terrazzo floors and under lofted ceilings. Docents lead group tours through the galleries to see rotating exhibitions or play hide-and-seek with Jackson Pollock. Current exhibits have explored the contemporary still photography of Cindy Sherman, American avant-garde film from 1960 to 1973, and prints, paintings, and sculptures produced after 1989. Inside the museum's social spaces, docents also host artist talks, film screenings, and open houses.
Designed as a contemporary twist on old European opera houses, the center's McGuire Theater draws visitors into its intimate space for live dance, theater, and music performances as well as performance art. Museum exhibits and events also spill outside to a central square and the four quadrants, bordered by granite and evergreen hedges, of the Minneapolis Sculpture Garden. As visitors walk across its lawns, they can glimpse iconic modern sculptures, cross a 375-foot steel-and-wood footbridge, or watch staff teach plants to paint in the Cowles Conservatory.
Originally the home of the Dakota and Ojibwe, Hennepin County began with the hopes and dreams of immigrants, New Englanders, and retired veterans. Why these entrepreneurs, farmers, laborers, craftsman, and vacationers decided to settle in what seemed to be a frigid, uninhabitable land is still a mystery, but their innovations and lineage are traced through the exhibits at Hennepin History Museum. The museum, located inside the historic George Christian mansion, hosts rotating exhibits and permanent collections that paint a picture of Midwestern life in the 19th and 20th centuries. From more recent decades, there are objects from Minneapolis Aquatennials and high-fashion clothes from downtown department stores such as Dayton's and Young-Quinlan. The Pillsbury Doughboy presides over it all, reminding guests of the importance of milling to the region's history.
Photographs, personal papers, and atlases round out the collection, whose contents are further illuminated during the museum’s frequent events. Experts and authors, for instance, deliver talks in the museum’s intimate fireside room, whose fireplace keeps guests warm and prevents them from huddling in the museum's historical bear-skin rugs. In another tucked-away area, researchers and amateur historians pore through the material in the library, which is open to visitors 5 days a week, and in the archives, which is open by appointment. They might find maps of the region from the start of the 20th Century or old pictures of homes in the neighborhood, all steeped in memories and history.
When the Minneapolis Institute of Arts first opened its doors in 1915, it was the product of several decades of arts advocacy. A group of 25 citizens formed the Minneapolis Society of Fine Arts in 1883 with the goal of giving their community access to creative arts. More than a century later, this commitment to the community has taken the permanent collections from 800 works to close to 80,000 objects and has made the museum Minnesota's largest art educator.
The collections, divided into seven curatorial areas, encompass a period of 5,000 years and hail from every corner of the world. The Asian Art collection represents 17 different Asian cultures, and Arts of Africa and the Americas holds more than 3,000 pieces of sculpture, basketry, painting, and beadwork. Temporary exhibitions bring collections of artwork from other institutions. The museum's interactive learning stations supplement understanding of topics such as modernism or 17th-century European painting with animation, video, and audio recordings.