Hundreds of LEGO pieces scatter across C&A Robot Factory?s worktables, where kids follow plans or their own imaginations to build everything from programmable robots to remote-controlled vehicles. During the center's projects and camps, children work through projects that explore science, math, and creativity. They might build a LEGO space station, program the movements of a solar-powered robot from a selection of new models in WeDo classes, or use salt water to power a LEGO car. The stop-motion-animation project?where kids assemble LEGO bricks into a movie set and then take hundreds of photographs that are edited together to become a short movie?stretches the potential applications of LEGOs even further.
Creative opportunities, however, aren't limited to structured projects. During open-play sessions kids can use C&A Robot Factory?s thousands of LEGO blocks to assemble buildings or the world?s most uncomfortable carpet. The LEGO Ville area lets toddlers play as well, surrounding them with Duplo blocks, cars, and trains.
The Little Gym of Gurnee, a branch of the nationwide network of Little Gyms, fosters educational wonderment, physical development, and self-confidence in children aged four months to 12 years old through engaging, interactive classes. Trained instructors lead the classes and impart motor skills, language development, and leadership skills through karate and dance classes, as well as brain boost activities—all with the goal of encouraging age-appropriate development in a safe and enjoyable atmosphere.
When it originally opened in 1929, the Raue Center For The Arts was dubbed "El Tovar," though no one knew what that meant?it was jut a term overheard by one of the venue's founders on a trip to the west coast. Regardless of its meaning (or lack of one), the name seemed to accurately define the theater's elegance, from the star-filled sky of its ceiling to the facades of Spanish buildings lining its walls.
El Tovar drifted into deterioration over the years, undergoing several different monikers as it switched from owner to owner. Luckily, a generous bequest from Crystal Lake resident Lucile Raue led to a much-needed restoration. A two-year renovation left the theater looking as glamorous as it did when it was El Tovar?seats were reupholstered, and every android usher received an oil change.
The consortium of professional instructors at Fred Astaire Dance Studio, which was cofounded by legendary toe tapper Fred Astaire himself, shepherd students of all ages and skill levels through lessons that span the style spectrum. Patrons can learn how to cavort through classic waltz and fox-trot romps or swivel through the modern steps of salsa, swing, or mambo.
Metropolis Performing Arts Center enriches the community with the beauty and culture of the theater, so it only makes sense that their version of a 5K is intensely theatrical. Dressed as a favorite stage, screen, or TV character, participants walk, jog, and monologue their way through a route that rolls by the verdant lawns and tree-lined streets of Arlington Heights. Twists and turns down Walnut and Maple and Chestnut streets breaks up Evergreen and Highland Avenue straightaways, and prizes at the finish line reward out-of-breath thespians for creating the best group or individual costumes.
Teaching hips to swivel to new circumferences, dance instructors impart their masterful moves unto students in the respected tradition Arthur Murray has upheld since 1912. Students dance with a partner, or the instructor, who provides a greater understanding of the dance style of their choosing with either method. Protégés may find their new moves applicable in a number of settings, such as when prepping for a wedding dance or blending into an airport crowd that breaks out in a cha-cha. Embodying the three-count time of a stately waltz brings partners in close; rumba moves and swing steps add vibrancy and playfulness to one’s repertoire. Arthur Murray Dance Centers provide a warm, aesthetically sound environment for engaging in private and group dance lessons superbly suited to slicing and dicing a rug until it is no longer recognizable.