Every Thursday through Saturday night, two pro piano players sit down at Jive and Wail's two baby grand pianos and proceed to bang out Top 40 hits from a plethora of eras, including time that has not yet come to pass, though these future-songs cannot be heard by present-day ears. Audience participation is not only encouraged but demanded by the dueling pianists—who are not above threatening their audience with atonal jazz if no song requests are forthcoming. Once you've made your request, the bar's high-tech sound system makes sure you won't miss it while refreshing your tipple at the full-service bar.
Multifaceted rocker Todd Rundgren has been entertaining fans for more than 40 years with an eclectic range of music, including hits such as "Hello, It's Me," "Can We Still Be Friends," and "Bang the Drum All Day." Since albums—like collections of porcelain stegosaurus figurines—are best presented whole, Rundgren will reward loyal listeners by playing two of his albums, Healing and Todd , in their entirety. The show is part of a six-stop tour and one of two dates featuring The Fixx—the English New Wave band known for ’80s hits such as "One Thing Leads To Another" and "Saved By Zero"—who will kick things off and guard the stage against robot encroachment until Rundgren arrives. The beautiful, ornately wrought interior of the Roberts Orpheum Theater, which has played host to performers from Mae West to Pearl Jam, wraps musical notes in a veneer of class before delivering them to eardrums in gilded sonic envelopes.
Off Broadway—heralded as 2010's Best Rock Club by the Riverfront Times—lures in crowds several nights a week with a barrage of local bands and national touring acts of all genres. On Thursday, July 28, singer-songwriter William Elliott Whitmore performs with Strawfoot, an old-time revival country band with the requisite fiddle, banjo, and washboard abs. tune-yards annexes the venue on November 8 with violently convivial ukulele jams augmented by African-inflected vocal gymnastics, looped drums, and a duo of synchronized saxophonists. Musical Merry-Go-Round matinees amuse kids monthly on Sunday afternoons with entertainers such as Super Stolie on August 14 and Little Miss Ann on September 11.
• For $25, you get a ticket for seating in sections 107–112 (a $49.50 value before fees, or up to a $62.05 value online, including all Ticketmaster fees). • For $45, you get a ticket for seating in section 104 or 115 (a $99.50 value before fees, or up to a $113.25 value online, including all Ticketmaster fees).
The floating oak dance floor of U Can Dance Studio has been privy to myriad styles of fancy footwork since its inception in 1991, from ballroom and swing to hip-hop, disco, and samba. Stretching across 4,000 square feet, the pristine surface supports the nimble soles of the studio's certified instructors, who expertly lead students of all ages and levels during group classes and private lessons. Public dance parties beckon pupils to show off their newly gleaned skills and pictures of their dog wearing a tutu to one another in an encouraging environment.
The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.