They tell a tale to quake your bones at Warehouse 31—on October 13, 1875, a woodcutter by the name of Billy Turner killed his nine-year-old daughter in a horrific accident. Unable to cope with his grief, Turner killed himself. But the pain was too great for death to assuage. Soon Pelham was under siege from a series of mysterious events. A young girl found roaming unattended along a railway. The sound of a chainsaw echoing from the forest. Glass doors sliding open as soon as somebody stepped in front of them. Today, Warehouse 31 stands on the site of that ill-fated lumberyard, and guests can experience some scares of their own, thanks to a cast of monsters, high-tech animatronics, and gravely unhinged clowns.
History is built into the very foundation of St. Augustine Amphitheatre. Built in 1965 to commemorate the city's quadricentennial, the stage immediately began featuring Cross and Sword, a historical drama about the founding of St. Augustine. It was a tradition that continued unbroken for 32 years. In 2002, St. Johns County funded a refurbishing of the amphitheater. Five years later—after upgrading the capacity, constructing a hikeable arboretum, and clearing out lingering conquistadors—the new facility is capable of comfortably hosting up to 4,100 concertgoers.
Formed in the glory days of heavy metal, Queensrÿche rocks audiences with songs that reveal the fierce polish of 30 years of evolving artistry. The band's distinctive mix of prog rock, metal, and subliminal messaging rocketed its Empire album up the charts, launching hits such as "Silent Lucidity," "Jet City Woman," and "Best I Can." Normally reserved only for members of Queensrÿche's fan club, a backstage meet-and-greet lets a small group of the devoted make personal connections with the four lords of loudness, shaking their lightning-fast hands and comparing headbanging techniques. Opening band Driven thrashes through a set of classic hard-rock covers and original cuts as raging as a riverbed full of angry bulls.
Britney Spears hurtles back into the earth’s stratosphere, pulling out all the stops, raising roofs, and dousing all of mankind’s melancholia in glitter and beatitude on her fiery Femme Fatale tour. From Mouseketeer to multifaceted entertainer, Britney Spears has seared dance floors throughout her career with infectious sonic shrapnel while soothing countless ears scarred by the sound of exploding chalkboards. Unleashing fresh cuts dripping with danceable dubstep beats and tireless techno melodies, the Femme Fatale tour shares its stagecoach with a lineup of glam girl-powered acts. Spunky electropop outfit Jessie and the Toy Boys and the feisty twisted-sister duo of NERVO round out a night stuffed with golden vocals, brick-thick beats, and floor-shaking choreography that will undoubtedly awaken the arena’s downstairs neighbors.
Now in their 86th season, the Harlem Globetrotters continue to entertain millions of parents, children, and general basketball admirers with a trademark blend of athletic precision and razzle-dazzle showmanship. For their 2012 world tour, a rotating roster of Globetrotter favourites takes to the hardwood each game, so spectators might spot Special K Daley sharing a behind-the-back pass with newcomer Jacob “Hops” Tucker, the 2011 College Slam Dunk champion whose 50-inch vertical leap cruelly dashed his dreams of working in a ceiling-fan store. The Globetrotters might also present a study in contrasts with five-foot-two Too Tall Hall and seven-foot-eight Paul "Tiny" Sturgess, the world's tallest professional basketball player.