Improv Trick's goal is to make Improv more accessible. Yes, you can learn how! It's a lot of fun and even if you never want to perform improv, you'll learn memory tricks, teamwork skills, and confidence-building techniques used by professional improvisers.
No Name Comix was founded in late 2012 by Marquise Moore, Jack Merrywell, H.D. Reeves, and Ben Flug––a quartet of local comedians looking for a new outlet to spread good cheer and bad puns. No Name Comix directs the limelight at neighborhood talent during open mics on every Thursday night, as well as weekend shows that typically feature headliners from right around the corner. Bespeaking the founders’ can-do attitude, the club is furnished with an array of up-cycled materials, including car seats repurposed into normal chairs.
Internationally known burlesque star Lola van Ella captains VanElla Studios, home of burlesque-infused dance and cardio classes that are “pure fun,” according to St. Louis Magazine. Clients can build confidence and performance repertoires in a panoply of body-positive classes, such as Burlesque Basics 1, which covers moves such as the shimmy, the bump-and-grind, and boa-wielding, which teaches guests how to seductively fashion a lasso out of a boa constrictor to reach coconuts for survival. For a higher-octane workout, rug-cutters with some dance experience can enroll in the hip-hop sequence, whose fast-paced choreography matches a soundtrack of rap and R & B tracks. In each class, an average of 10 students follow in the footsteps of instructors with professional dance experience.
It's hard to cut a rug properly. You have to measure room dimensions, don safety goggles, and use a proper pair of carpet shears. Today's Groupon to Dance St. Louis lets you leave this labor of love to the professionals. For $25, you get one ticket (up to a $50 value) to a performance of Aszure Barton & Artists at the Touhill Performing Arts Center on the University of Missouri–St. Louis campus. Seats are in the orchestra or parterre sections, and will be determined on a first-come, first-serve basis. All tickets for all showtimes must be redeemed by phone or in person at the Dance St. Louis box office in Grand Center (open 9:30 a.m. to 4:30 p.m. Monday through Friday).
Elizabeth Birkenmeier, Scott McMaster, Jerry Vogel, and Jason Cannon bring Scotland playwright David Greig's sensual show to life for mature audiences. Set on a remote island off Scotland's coast and directed by Philip Boehm, the play explores three characters entangled in a web of sexual tension on the eve of World War II. The lyrical play is at once a keen exploration of human nature, a moving study of young emotion, and a powerful snapshot of a world teetering on the brink of cataclysm.
John Adam Lemp arrived in the United States in 1838, intent on seeking his new life and fortune. He established a grocery in St. Louis, but it was something else that catapulted him to success: a recipe for lager beer. The beer made his fortune, and the Lemps became one of the most wealthy, prominent families in St. Louis. As the money flowed in and the beer flowed out, Lemp decided to purchase a mansion where successive generations could rule their empire of breweries. That's exactly what they did, for a time.
Family fortunes began to turn, however, with the century. In 1901, the heir apparent to the family business died under mysterious circumstances, leading his father to take his own life in a mansion bedroom. The brewery persisted somewhat tenuously until Prohibition fell upon it like a hammer, shattering family fortunes. This led to a further spate of suicides, two of which were committed in the family mansion. The mansion's history of tragedy has led many to suppose that beneath its elegant, 100-year-old veneer are hiding dark secrets and supernatural presences.
Today, the parlor serves as a restaurant, richly appointed with original African mahogany and hand-painted ceiling murals. The rest of the house, though, is a venue for paranormal investigations and a stage for murder mystery dinner comedies. Many of the rooms even serve as guest suites for those brave enough to face ghosts dressed in Victorian-era undergarments.