The artists behind Art Monster set their sights on all sorts of blank canvases—from hoodies to sports cars to biceps—and transform them into eye-catching pieces of artwork. Owner Chris Sabatino keeps the modern studio in pristine condition all week long for his staff to decorate bodies with intricate tattoos. They also infuse wardrobes with a bit of attitude by custom airbrushing illustrations of their clients' favorite sports teams, animals, or Pantone swatches.
It's hard to cut a rug properly. You have to measure room dimensions, don safety goggles, and use a proper pair of carpet shears. Today's Groupon to Dance St. Louis lets you leave this labor of love to the professionals. For $25, you get one ticket (up to a $50 value) to a performance of Aszure Barton & Artists at the Touhill Performing Arts Center on the University of Missouri–St. Louis campus. Seats are in the orchestra or parterre sections, and will be determined on a first-come, first-serve basis. All tickets for all showtimes must be redeemed by phone or in person at the Dance St. Louis box office in Grand Center (open 9:30 a.m. to 4:30 p.m. Monday through Friday).
The Vino Gallery—located in a renovated police substation in the Central West End—houses an impressive selection of small-production and artisan wines, beers, and other libations amid an ever-evolving collection of local art. The staff guides visitors to the tasting bar or the outdoor patio, allowing guests to sample selections and avoid pouring wines they don’t like into a roommate’s humidifier. Rachael Buehrer, wine enthusiast and educator, and coowner Alex Head, promote informed wine consumption with complimentary tastings after 5 p.m., Monday–Friday, and all day on Saturday. One-hour wine classes lend imbibers further wine expertise, and the wine-of-the-month club helps customers branch out from go-to varietals.
Where can you learn the stories of Civil War soldiers, discover little-known facts about famous figures such as Chuck Berry, and see St. Louis Cardinals artifacts from the 1960's Busch Stadium all in one place? The Missouri History Museum boasts an expansive collection of photographs, artifacts, and maps that reveal some of the nation's and state's most intimate stories. Originally built as the first national monument to Thomas Jefferson, the site now offers exhibits that include items such as the sister plane to Charles Lindbergh's Spirit of St. Louis and images of the buildings and grand palaces that were erected for the 1904 World's Fair.
In addition to rotating exhibits, events such as lectures, genealogical workshops, theatrical performances, and movie screenings offer guests a bridge to the past and a new perspective on the future. The museum is also planning a 2014 exhibit to commemorate St. Louis's 250th anniversary, which will unfold via 50 people, 50 places, 50 moments, 50 images, and 50 objects representing the city's richness and diversity.
When it was first established in the early 1850s, the neighborhood known as Lucas Place was a piece of farmland on its way to becoming the first clearly defined wealthy suburb of St. Louis. Much has changed since then, as the city has expanded around the neighborhood and many of the elegant buildings have made way for more modern incarnations. One building, however, has largely stayed the same.
Built in 1851, the Campbell House was the home of renowned fur trader and businessman Robert Campbell and his family. The Campbells would continue to occupy the house until 1938, acquiring furniture, paintings, clothing, and other period artifacts to fill the house over the years. The family also took a detailed set of interior photographs in the 1880s that were only rediscovered in the late 20th century. These photographs would prove to be of great historical importance, as they formed the basis for a massive renovation project that would result in the opening of the Campbell House Museum.
Today, the Campbell House Museum attracts visitors from St. Louis and beyond, many of whom come to get a glimpse of what the city was like before modern conveniences such as electricity. The house retains many of the family's original possessions, as well as library books and state archives that offer a further glimpse into 19th-century American life.
Fire. Hammers. A pottery wheel. Some of humanity?s most elemental and primitive tools, yet into the 21st century they remain. And Craft Alliance Center of Art + Design Director Of Education Programs, Luanne Rimel, attests that they?re some of the coolest. With each season?s catalog of classes, some of the most popular, according to Rimel, let students play with fire, hammer metal into jewelry, or shape a lump of clay into something as fundamentally beautiful as a baby seal mimicking the Mona Lisa?s wry smirk.
At Craft Alliance, the focus is art in all its forms. Whether the tool is the raw flame fusing cut copper or a Mac loaded with Photoshop image-editing software, the intention to inspire and to create remains the same. Its two locations schedule seasonal terms with four- to six-week classes, as well as intensive workshops and children?s classes. Guiding each student along his or her adventure, skilled faculty instruct from experience. Most are working artists who exhibit their work and who have reaped their experience from the trenches of the art world.
Craft Alliance is not just empowering people with knowledge; they are also helping people make mugs, bowls, wooden spinning tops, rings, rugs, and digital photo albums. Many of these things are practical and serve a functional purpose. But many do not?they?re just beautiful things, like vestigial tails. A good number of these pieces are created by hand and are meant to remind us, as Rimel remarked, that everyone can do something different from their everyday, workaday lives by adding beauty to a world that truly needs it.
The student and faculty artists are the backbone of the Craft Alliance community, which in 2014 celebrates its 50th anniversary. The Grand Center location represents a regeneration of an arts district already pillared by the Fabulous Fox Theatre, Powell Symphony Hall, and St. Louis University.