In 1879, a lumber baron named Thomas Barlow Walker built an extra room onto his house. He mounted his 20 favorite paintings on the room's walls and opened it to the public. This private collection transformed into a public gallery with the founding of Walker Art Center in 1927. Over the following decades, the center's staff amassed a collection focused on modern art, gathering works from Pablo Picasso, Henry Moore, and Alberto Giacometti. Today, this permanent collection has expanded to encompass more than 11,000 modern and contemporary paintings, sculptures, and photographs, more than 800 film pieces, and more than 1,200 artists' books.
In the whimsical multistory geometric helix of the Barnes building, seven cube-shaped galleries radiate from a central core on terrazzo floors and under lofted ceilings. Docents lead group tours through the galleries to see rotating exhibitions or play hide-and-seek with Jackson Pollock. Current exhibits have explored the contemporary still photography of Cindy Sherman, American avant-garde film from 1960 to 1973, and prints, paintings, and sculptures produced after 1989. Inside the museum's social spaces, docents also host artist talks, film screenings, and open houses.
Designed as a contemporary twist on old European opera houses, the center's McGuire Theater draws visitors into its intimate space for live dance, theater, and music performances as well as performance art. Museum exhibits and events also spill outside to a central square and the four quadrants, bordered by granite and evergreen hedges, of the Minneapolis Sculpture Garden. As visitors walk across its lawns, they can glimpse iconic modern sculptures, cross a 375-foot steel-and-wood footbridge, or watch staff teach plants to paint in the Cowles Conservatory.
Most students in introductory stained-glass-making classes are in search of a new hobby or a fun few hours, but not Connie Beckers. In 1995, she took such a course and soon built a career around the art of stained glass and kiln-working. Now, through The Goddess of Glass, she teaches others her craft during classes that cover the creation of jewelry, coasters, plates, and transparent overalls. She?s also been known to flex her instructional muscle as a guest artist on the DIY Network show Cramped Quarters, where she taught the show?s host and contractor how to make stained-glass tiles for a kitchen in the middle of remodeling.
The Goddess of Glass also sells artwork and gifts out of a separate retail shop. Patrons can commission a custom piece, such as a stained-glass window, or peruse a collection of pieces by more than 80 local artisans. The shop?s staff can also advise clients who need custom framing, helping them to pick the proper matting and frame so that their Richard Nixon rookie cards really pop.
Seasoned artist Malcom Potek calls upon more than two decades of glass-manipulating experience while crafting intricate, multicolored tiles and custom sconces that suit the unique architecture of their intended edifices. Within his shop and gallery, a glossy collection of already made glass portraits, beads, and tiles entices eyes to ogle one-of-a-kind designs instead of Betty Boop?shaped clouds. Visitors inspired by Potek's work can learn the tricks of the trade during a variety of glass-blowing classes that set participants on the path to glass-blowing certification.
Founded in the mid '90s by a group of textile artists and patrons, the Textile Center's goal is to honor, foster, and support fiber artists and increase the tradition of textile art's visibility and accessibility. The center is home to four fiber art galleries, a library, and a professionally equipped dye lab. Currently celebrating its 20th anniversary, in addition to its vast array of supplies, the center sells local and international artists' works of art in its shop such as accessories, home d?cor, and seasonal gifts . These include wearable pieces for patrons, such as embroidered pendants, and wearable pieces for tables, such as coasters, runners, and woven place mats. Curious newbies and seasoned artists alike can enroll in classes, which range in focus from basic dyeing to crocheting to sustainable fashion design.
With thousands of frame and mat samples, The Great Frame Up can satisfy any and all framing fantasies. The expert framespeople can make diplomas radiate (most diplomas can be framed for around $100–$200), personalized jerseys glisten (most for under $300), and dorm-room movie posters sparkle (many 24"x36" pieces are under $100). The design wizards can also find a home for any prized possession, such as shoebox photos, baby booties, ticket stubs, medals, and really good pot roasts. The Great Frame Up’s no-hassle guarantee and assurance that all work is done on site means your frameables won't be subject to mistreatment at underground commercial framing facilities.
Epic Vow Wedding Photography owner Nicole Daniels carefully pairs members of her shutter squad with engaged couples for wedding shoots befitting each client’s personal style. Photographers snap an average of 100 high-quality digital images during four-hour nuptials and anywhere from 200 to 400 pictures at ceremonies exceeding five hours. Nicole digitally edits the strongest shots herself, ensuring that any facial blemishes, lipstick smudges, or ghostly apparitions are eradicated from final prints. Along with a trio of packages, Nicole preserves colorized and black and white photographs by mounting images on hardboard masonite or canvas, assembling shots in a softbound or wave-accordion album, or creating metallic prints.