The Morean Arts Center connects visitors with multiple forms of modern art, welcoming them to explore galleries, a glass studio, and a clay center, all of which host classes, exhibits, events, and retail opportunities. The center was founded in 1917 and has served as the community's art center ever since. The Chihuly Collection showcases a permanent exhibition of world-renowned artist Dale Chihuly's installations. His magnificent bright forms, many of which are inspired by nature, spiral toward the ceiling, housed in a 10,000-square-foot structure designed by award-winning architect Alberto Alfonso. A visit to the Glass Studio and Hot Shop immerses guests in the creation of glass works, as artists manipulate molten glass into vibrant orbs and vases. At the Morean Center for Clay visitors can view amazing works of art in the gallery and watch artists work during classes and open-studio time. The center also operates as a retail venue, where customers can purchase local and regional art.
The Florida Holocaust Museum, located in the heart of St. Petersburg's museum and art district, was founded in 1992 with the help of prominent Holocaust scholars such as Schindler's List author Thomas Keneally. The museum's three floors feature permanent exhibitions, a library, and smaller rotating exhibits. Housed on the museum's first floor is the core exhibition, History, Heritage and Hope, which documents the Holocaust through recollections of survivors and original artifacts, including Boxcar #113 069-5??one of the few remaining Nazi railroad boxcars. The third floor is home to the museum's other permanent exhibition, Kaddish in Wood: Woodcarvings by Dr. Herbert Savel, showcasing his woodcarvings of French children who perished during the Holocaust.
A leading force for change in the community and beyond, part of the museum's mission is to spread its message of tolerance by continuously collecting and displaying contemporary artistic responses to the Holocaust and other genocides. Their hope is to educate and inspire visitors to learn from the past in order to be the upstanders of today. The museum makes Kadish in Wood??as well as 18 other traveling exhibitions??available to museums, historical societies, and community centers nationwide. From scholars reading their latest work to survivors discussing their experiences, the museum's events also shed light on the past in an effort to prevent future genocide.
Judie Dazzio believes that everyone can be an artist. And at Dazzio Art Experience—a comprehensive art school—she helps everyone from children to adults and novices to professionals harness their creativity. Though she's a painter herself—having won awards for her work with watercolors and acrylics—she caters to range of artistic interests, offering classes in acrylics and watercolors but also branching out into sculpture, illustration, and Photoshop. For the experienced artist, she and her instructors provide developmental classes to help them produce portfolio pieces and host group critique sessions.
Beyond teaching her students the techniques to create, she also displays their works in a gallery attached to her school. Here, rows upon rows of painted canvases, sculptures, and handcrafted jewelry showcase their newly acquired talents.
Much like professional skydivers, wily coyotes, and other careers that involve a degree of danger, most professional glassblowers aren’t self-taught. Joshua Poll, however, learned to harness the glass furnace all by himself, today imparting more than a decade of self-taught experience to Zen Glass Studios, where he and fellow glass smith David Walker create custom works of art by hand. Together they shape glass into authentic and unique pieces, including custom glassware and jewelry to wear while meeting a spouse’s goldfish for the first time.
Within their studio, Joshua and David teach workshops and classes, during which students survey basic to advanced glass-blowing techniques, crafting their own handmade objects such as ornaments, beer glasses, and vases. The duo also runs a full glassblower training program, which follows a syllabus structured to arm all students with all the necessary skills to set out on their own in the industry, just as Joshua did all those years ago.
Built in 1918, the Craftsman House's expansive, adobe-toned bungalow collapses time as visitors step onto a breezy veranda, walk past a lush carpet of flowers and fronds, and witness more American craftwork than they can shake an intricately whittled stick at. Blown glass, turned wood, and fine pottery and jewelry provided by a 300-strong network of local and national artists are just a few of the pieces that settle in at this homey abode. The building is so homey, in fact, that one artist hardly ever leaves. Surrounded by the courtyard, what was once an old-time carriage house is now the clay-caked studio of professional potter Stephanie Schorr. There, visitors can find her partway through many projects at once, crafting functional wares and feeding the carnival fire breathers that keep her kiln hot.
The historic hub of creative know-how hosts a multiplicity of events, including live music, gallery tours, and artistic workshops. In honor of the gallery's tireless community efforts, Craftsman House was named the 2011 Top Retailer for a Charitable or Philanthropic Event by Niche magazine.