Inside a building in St. Petersburg, works of art from around the world gather like good friends. Georgia O'Keeffe's Poppy hangs not far from Paul Cézanne's A Corner of the Woods, Pointoise. Claude Monet's Houses of Parliament gives a glimpse of faraway lands, while Thomas Moran's Florida Landscape stays closer to home.
With a range of permanent and rotating exhibitions, the Museum of Fine Arts seeks to engage visitors with art while preserving the pieces in its care. Much of the collection resides in an original 1960s building, but an adjacent modern gallery draws in visitors with special exhibitions, an art library, and interactive educational facilities—ensuring they have plenty of ways to experience art or at least overcome a fear of informational plaques.
Who They Are
Even before the Museum of Fine Arts opened to the public in 1965, founder Margaret Acheson Stuart saw its galleries as a space where diverse audiences could explore art "from antiquity to the present." Architect John Volk had designed the original museum wing to instill visitors with a feeling of solidness and permanence. Decades later, the museum sought to expand, and conducted a nationwide search for a worthy architect. They were rewarded with designer Yann Weymouth, who completed a second building in 2008—a two-story, modern glass conservatory.
Built in 1918, the Craftsman House's expansive, adobe-toned bungalow collapses time as visitors step onto a breezy veranda, walk past a lush carpet of flowers and fronds, and witness more American craftwork than they can shake an intricately whittled stick at. Blown glass, turned wood, and fine pottery and jewelry provided by a 300-strong network of local and national artists are just a few of the pieces that settle in at this homey abode. The building is so homey, in fact, that one artist hardly ever leaves. Surrounded by the courtyard, what was once an old-time carriage house is now the clay-caked studio of professional potter Stephanie Schorr. There, visitors can find her partway through many projects at once, crafting functional wares and feeding the carnival fire breathers that keep her kiln hot.
The historic hub of creative know-how hosts a multiplicity of events, including live music, gallery tours, and artistic workshops. In honor of the gallery's tireless community efforts, Craftsman House was named the 2011 Top Retailer for a Charitable or Philanthropic Event by Niche magazine.
The thrum of the speedboat's engine carries through the water like an ice-cream truck's jingle. A 4-foot-high wake trails behind, fanning out into a fork as the speed increases and the passengers ready their cameras. Soon, a glistening fin breaks the surface. The first bottlenose dolphin seems to levitate on top of the wave while it bodysurfs for the sheer fun of it, then disappears back into the sea. Its pod follows suit, leaping, splashing, and riding the swells, soaking up the attention of the human spectators.
Sights like this are typical on the Dolphin Racer Speed Boat. The sunny yellow craft skirts across the Gulf of Mexico on 60- to 75-minute trips while up to 125 people lounge on the open deck and the captain narrates the sights of the passing beaches. Ample viewing space ensures that cameras can capture split-second jumps and spins when the dolphins heed the call to play. Whether it's because of the thrill of breaching, the pride in their celebrity status, or an underwater bet to see who can communicate with humans first, the dolphins' presence is virtually guaranteed—the boat offers a complimentary future cruise in the case of no-shows.
Since opening in 1987, Great Explorations Children's Museum has sparked a love for learning for visitors of all ages with a constantly rotating lineup of interactive exhibits that fill 18,000 square feet with touch, light, and sound. Whether they're learning about nearby sea life at Beth's Beach, honing their knowledge of textures on a crawl through the Touch Tunnel, or exploring arachnids in the Critter Cave, kids benefit from each exhibit's emphasis on interactivity. Visitors can find friendly professionals and their orange polo shirts bouncing between exhibits while performing science experiments, dancing, and playing music.
In addition to visiting the museum's permanent exhibits, kids can also take extend their learning journeys through the museum's lengthy list of camps and programs. The museum even takes its show on the road, with the Express Yourself Art Mobile bringing creative craft opportunities to neighborhoods around St. Petersburg.
Boats dance and glide over the crisscrossing wakes carved into Tampa Bay, each craft anxiously revving toward its respective dock to arrive before closing time. All the while, a handful of boats remain on the open water, swaying atop the undulating waves as its passengers continue to enjoy the fiery sunset reflecting off the bay's surface. These select aquatic vehicles carry Lotto Boat's boat club members, who have access to a slew of exclusive perks, such as extended marina hours. Stationed at Harborage Marina, Lotto Boat's 20 rental vessels include kayaks, paddleboards, WaveRunners, and power boats equipped with GPS navigation systems. After hopping aboard a vessel, landlubbers can go jet-skiing, drift over to nearby tiki bars for dinner and live music, or take in scenic views of downtown St. Petersburg. Once patrons make their way back to one of Lotto Boat's two docks, staffers thoroughly cleanse the boat of interior debris and exterior mermaid hitchhikers to prepare for the vessel's next excursion.
Much like professional skydivers, wily coyotes, and other careers that involve a degree of danger, most professional glassblowers aren’t self-taught. Joshua Poll, however, learned to harness the glass furnace all by himself, today imparting more than a decade of self-taught experience to Zen Glass Studios, where he and fellow glass smith David Walker create custom works of art by hand. Together they shape glass into authentic and unique pieces, including custom glassware and jewelry to wear while meeting a spouse’s goldfish for the first time.
Within their studio, Joshua and David teach workshops and classes, during which students survey basic to advanced glass-blowing techniques, crafting their own handmade objects such as ornaments, beer glasses, and vases. The duo also runs a full glassblower training program, which follows a syllabus structured to arm all students with all the necessary skills to set out on their own in the industry, just as Joshua did all those years ago.