Eastpoint 10 Cinemas showcases the latest Hollywood blockbusters on screens that face sloped or stadium-style seating. Digital and 3-D projectors entertain audiences with high-resolution images that virtually pop out of the screen, making viewers feel like a part of the film without having to actually fight off bloodthirsty aliens, wicked witches, or Gerard Depardieu. The theater occasionally pairs screenings with special tie-in events, such as karate demonstrations to go along with martial-arts flicks.
Towering above the already-imposing 14-screen multiplex of Hoyts West Nursery Cinemas 14 is a luminescent globe encircled by a giant strip of film. It’s a sign of the theater’s mission to create an all-encompassing movie experience. Stadium seating inside every theater gives even the littlest family members undisturbed views of new releases, and digital sound systems broadcast musical numbers, high-tech explosions, and intercom requests to share your Skittles in crystal clarity. At the snack bar, traditional concessions are supplemented by made-to-order Uno pizzas.
The thespians and theater crew at Fells Point Corner Theatre have enchanted audiences with nonprofit productions of new and rarely seen plays for 25 years. Upcoming attractions include Edward Albee’s Three Tall Women, the 1994 Pulitzer Prize winner about three differently aged women who reflect on their lives with acerbic wit while scaling skyscrapers; and The Little Dog Laughed, a look at gossip and celebrity in the 21st century. Colorful characters populate Circle Mirror Transformation, a comedy detailing a motley crew’s attempt at bonding during a six-week acting class; Eugene O’Neill’s iconic play The Iceman Cometh explores universal social questions in the back room of a 1912 skid-row saloon. Though seating at the 85-seat Fells Point Corner Theatre is subject to availability, the small size of the theater allows for good sight lines from all seats.
Founded by a ring of cinephiles who set out to rehab an abandoned theater just north of George Washington University, West End Cinema screens foreign, independent, and documentary films that open up new intellectual and cultural vistas. Films run the genre gamut from quirky, independent dramedies and comedramas to special live events such as Opera in Cinema or Ballet in Cinema. Sunset-orange and slate walls and recessed lighting usher guests from a glass-fronted lobby into three cozy theaters, each of which seats between 50 and 100 watchers. On the way, they'll pass an abundantly stocked concession stand, where they can harvest drinks from a full bar, baklava, and gourmet sandwiches along with additional children from the sour patch.
One In Ten was founded in 1991 at the same time we began the Reel Affirmations International Gay and Lesbian Film Festival. Through the arts, One In Ten works to build community among GLBT people fostering a sense of belonging by bringing our stories, our struggles and accomplishments to life on the stage, screen and page.
One of many vaudeville and movie palaces that sprung up in the 1920s, the Warner Theatre today drops jaws in much the same way it did in its infancy: with glittering chandeliers, gilded ceilings, and red-felt seats. Yet before transforming into its modern incarnation, it served as a film-only venue with such luxuries as a rooftop garden and a ballroom in the basement. The Warner even had a dance troupe akin to the Rockettes?called the Roxyettes?who would high-kick before and after the screen lit up.
After falling into disarray in the '70s, the Warner became a concert venue, saving it from the wrecking ball but forcing it to require a complete renovation in 1989 to remove years of grime and stray musical notes lodged between seat cushions. At the reopening gala, a host of stars performed, including Frank Sinatra in what would prove to be his last DC show.