Cape May Stage’s professional-grade, seasonally themed performances match with an upscale spread from Tisha’s for an entertaining, belly-placating evening out. Couples, family foursomes, or strangers brought together by an eccentric millionaire can cover the culinary bases at Tisha's, with entrees such as veal saltimbocca ($29), a mix of veal medallions, prosciutto, spinach, and fontina cheese, or the veggie-friendly broccoli rabe and penne ($22), prefaced by an appetizer of the award-winning clam chowder ($7) or Cajun fried oysters ($12).
The pop-punk pranksters of Bowling for Soup make fun music, funny music, and nothing in between. With their millions-selling catalog of irascible pop nuggets, Bowling for Soup proves why the class clown always gets the girl. Since the goofball quartet broke out of Texas onto the international scene in the mid '90s, they've collected a loyal fan base with their knack for infectious hooks. Best known for hits such as the Grammy-nominated “Girl All the Bad Guys Want” and “1985," the human Alfred E. Neumans continue to fuel invisible pogo sticks with their recent efforts Sorry for Partyin’ and Fishin’ for Woos.
Since forming in the 1920s, the Harlem Globetrotters have continued to entertain millions of parents, children, and general basketball admirers with a trademark blend of athletic precision and razzle-dazzle showmanship. For the team's 2014 tour, a rotating roster of Globetrotter favorites—including three female players—takes to the hardwood each game. Spectators might spot veteran guard TNT sharing a behind-the-back pass with dunker Quake, whose high jump once cleared 7 feet, cruelly dashing his dreams of working in a ceiling-fan store. The Globetrotters might also present a study in contrasts with 5-foot-2 Too Tall and 7-foot-4 Stretch, the team’s tallest member.
During each Globetrotters game, youngsters laugh along and witness the jovial jocks performing classic routines of unconventional passing and sudden transmutations of water into confetti. To infuse their visits with an extra shot of unpredictability, the Globetrotters also let fans in each city vote on special rules for every game; past rules have included the use of a four-point shot and the installation of a penalty box. Over the years, similar antics have followed the Globetrotters around the world, including to 122 countries and territories and all six continents on which basketballs grow naturally. The Globetrotters’ extensive travels haven’t gone unnoticed: they’re one of the few teams to earn a spot in the Naismith Memorial Basketball Hall of Fame as ambassadors of the sport.
The thespians and theater crew at Fells Point Corner Theatre have enchanted audiences with nonprofit productions of new and rarely seen plays for 25 years. Upcoming attractions include Edward Albee’s Three Tall Women, the 1994 Pulitzer Prize winner about three differently aged women who reflect on their lives with acerbic wit while scaling skyscrapers; and The Little Dog Laughed, a look at gossip and celebrity in the 21st century. Colorful characters populate Circle Mirror Transformation, a comedy detailing a motley crew’s attempt at bonding during a six-week acting class; Eugene O’Neill’s iconic play The Iceman Cometh explores universal social questions in the back room of a 1912 skid-row saloon. Though seating at the 85-seat Fells Point Corner Theatre is subject to availability, the small size of the theater allows for good sight lines from all seats.
In keeping with Everyman's tradition of ending a season with a contemporary play that deals with modern issues, David Harrower's Blackbird is a drama that premiered in 2005 and in 2007 won Britain's highest award for a new play, the Laurence Olivier Award for Best New Play. Derek Goldman directs Everyman's production, starring resident company-member Megan Anderson and David Parkes, in his first Everyman performance. The 90-minute play shows the gripping encounter between an older Ray and younger Luna, and the effects of their taboo relationship as it unfolds at Ray's office. There is no intermission.
Nearly a century ago, the Hippodrome opened as a combination movie palace and vaudeville theater, spending more than 70 years hosting big names such as Bob Hope and Frank Sinatra. Following a double-decade period of slow business and bad hairstyles, the Hippodrome closed down in 1990. Now, however, after an exhaustive restoration project that reanimated the theater’s chandelier-lit arches, the mural above the proscenium stage, and the grand-theater boxes that hearken back to opera’s heyday, the Hippodrome reopens to the delight of Baltimore’s cultural landscape.
Cazbar’s Chef Haluk distills the culinary traditions of Turkey's Bolu region into the kebabs, grilled meats, and salads that fill his eclectic menu. House specialties such as the char-grilled lamb shish kebab and baked okra entertain taste buds with a symphony of flavors and a break dance of textures. Other dishes bring veggies into a starring role, such as the stuffed eggplant, which the Baltimore Sun called "a lesson in delicate flavor." The complexity and care common to the kitchen's savory dishes carries over into the desserts; 50 layers of phyllo dough enclose blankets of toasted pistachios and lemon syrup in each serving of baklava.
With belly-dancing shows throughout the restaurant on Friday and Saturday nights, Cazbar has the power to impress a date or a cardboard cutout of yourself. The restaurant's Middle Eastern decor delights eyes with vibrant walls, patterned canvases, and hanging lanterns.