Greek immigrant Louis Santikos founded his first movie theater in San Antonio in 1911, when silent moving pictures of train robberies and slapstick comedy were an exciting novelty. Today, the thriving regional theater empire continues the family tradition of dazzling audiences with attractions such as IMAX sensory journeys.
Santikos's expansive theaters house up to 19 screens of first-run cinematic entertainment at some locations. Equipped with popcorn and sodas, moviegoers can nervously munch and sip their way through every pulse-pounding car chase, tragic missed connection, or gripping montage of drying paint. Screenings in 3-D of select films are brought to life by the gloriously immersive illuminations of Xpand 3-D projectors.
When Ken Bradley, Cathy Grant, and Damian Gillen created The Company Theatre in 1993, they had one mission: to offer an live entertainment alternative to television or movies. Their lively adaptations of classic literature and popular stories have toured to theatres, schools, and churches all over Texas. No staging is too unconventional for the The Company Theatre: the troupe presents a condensed version of the complete works of Shakespeare with three fast-talking actors, and performs their production of “Charlotte’s Web” at an operating farm.
ARTS San Antonio brings cultural magic from around the country to South Texas. Chicago?s Joffrey Ballet, Cuba?s Arturo Sandoval, and New York?s Spanish Harlem Orchestra have all been presented by ARTS SA to enrich the community.
The seasoned performers of Piccadilly Circus dazzle audiences of all ages with 90 minutes of acrobatics, comedic high jinks, and trained animals beneath the big top. Audiences gasp at high-flying trapeze artists swooping through the air with the confidence of a kite in a wind tunnel, as well as contortionists able to bend themselves into human bonsai trees. Death-defying motorcyclists roar into a caged globe to perform a 360-degree display of vehicular mastery. Gaggles of clowns coax out chuckles, and a trained elephant parades around the ring, occasionally stopping to memorize an audience member's phone number. General-admission seating surrounds the ring, allowing ample viewpoints from which to observe the boisterous spectacle.