The experts at Back to the Picture preserve artwork and keepsakes in both readymade and custom frames. For the latter, technicians create cut-to-fit mouldings and mats for your treasured photo, painting, or self-portrait in macaroni before placing it behind glass with antireflective or nonglare technology. An 11"x14" piece of art with a basic wood frame, regular mat and regular glass typically starts around $150. Helpful staff members can also help visitors pick out the perfect frame.
Nestled in the shadow of the Golden Gate Bridge, the Bay Area Discovery Museum entices children's inquiring minds with a host of exhibits modeled after the surrounding sea and city. The Wave Workshop lets kids explore the San Francisco Bay's ecology and test their own boat designs against simulated wind and waves. In the 2.5-acre Lookout Cove which overlooks the bay itself, a 23-foot-tall Golden Gate Bridge entices children to put on hardhats and help construct a giant model.
The San Francisco Maritime National Park Association welcomes boating enthusiasts and history buffs alike to board antique ships—including a 1930s sloop yacht, an 1890 steamboat, and a nineteenth-century wooden-hulled scow schooner—docked at piers in and around the San Francisco Maritime National Historical Park. The association even lays claim to a pristine World War II submarine, the USS Pampanito, which sees more than 110,000 visitors every year and boasts National Historic Landmark status for its world-class example of maritime preservation. They've even restored and repaired the equipment inside to full operation for an immersive and realistic experience. Another huge draw is the Balclutha, a moored 1886 square-rigged tall ship with three massive masts.
The land-locked Maritime Museum, housed inside a WPA-built structure designed to look like an ocean liner, keeps the seafaring fun going with hands-on activities and exhibits that explore the city's nautical past. In addition to answering questions and helming educational programs, staff members also recruit volunteers to pitch in aboard and around the old ships, where they can learn firsthand how to care for museum pieces, practice public speaking skills, and memorize nautical terms that will help make their stories of pirate heritage way more believable.
One of San Francisco's oldest cultural institutions, the de Young Museum has steadily expanded since it was built for the California Midwinter International Exposition of 1894. It now stands among the country’s most-visited public art museums. The museum's painstakingly curated permanent collections chiefly fall into three categories: more than 1,000 American paintings from the 17th through 21st centuries; international textiles and costumes; and art from the Americas, Pacific, and Africa. The staff also curates a dynamic selection of visiting exhibitions that have featured photography, sculpture, and cultural artifacts. The museum’s architecture and grounds evolve right along with the collections, as natural materials such as copper, stone, wood, and old baseball cards age against the surroundings of Golden Gate Park.
When the San Francisco Giants won the World Series in October 2012, they did it with the unlikeliest of good luck charms: a baby françois’ langur. The tiny monkey had been born at the San Francisco Zoo, and its arrival coincided with a winning streak for the Giants. In honor of this serendipitous connection, the zoo named the orange-headed monkey Romo, after the relief pitcher who clinched the World Series championship. Today, guests to the San Francisco Zoo can visit Romo and several of her monkey buddies at the Doelger Primate Discovery Center, which is just one of dozens of meticulously crafted animal exhibits.
Amid verdant city parks and overlooking the Pacific Ocean, the zoo has been a part of the San Francisco community since it opened in 1929. Nearly 700 species of animals crawl, swim, and fly over its nearly 100 acres. Visitors traversing the space can explore elaborate exhibits and attempt to telepathically communicate with anything from birds and reptiles to invertebrates and mammals, including hippos, polar bears, and big cats.
One of the zoo’s most impressive habitats is the 3-acre African Savanna, which recreates a sprawling natural environment for free-roaming giraffes, zebras, kudu, and ostriches. Nearby, lemurs swing and leap through the treetops inside one of the country’s largest outdoor lemur habitats. In the Hearst Grizzly Gulch, panes of transparent plexiglas separate visitors from enormous Montana-born grizzly bear sisters Kachina and Kiona.
Enhanced by 360-degree CGI projections surrounding a circular stage, J.M. Barrie's production of Peter Pan promises kid-thrilling action and an adult-pleasing retelling of the classic story. Stage-watchers view the more than two-hour production from tiered seats in the show's special Threesixty Theatre, allowing multifaceted actors to use extra faces to full effect. A talented cast enacts the parts of Peter Pan, Captain Hook, and Tinker Bell with panache, and puppeteers manipulate a lifelike model of the original clock-hungry crocodile. This show is not recommended for children 5 or younger.
The San Francisco Museum of Modern Art (SFMOMA) brings together some of the great art and artists of the modern age through a variety of exhibitions, talks, and other programming. The 75-year-old institution's permanent collection of more than 26,000 works of art allows it to provide guests with a rich variety of disparate exhibitions, such as "Calder to Warhol: Introducing the Fisher Collection,". This exhibition invites museum-goers to make the acquaintance of more than 160 pieces—including works by Chuck Close, Roy Lichtenstein, Cy Twombly, and others—drawn from a larger collection that SFMOMA will house and display through a partnership with Doris and Donald Fisher, who founded Gap. The collection will not be on public view again until the expanded Museum reopens in 2016. "New Topographics: Photographs of a Man-Altered Landscape," provides a frank and sometimes bleak look at the landscape as reinvented by human hands, and "Prints by Paul Klee (1946)," is a re-staging of a show first held at the museum just after World War II. Weekly Curator Talks, including Peter Samis' upcoming discussion of Sigmar Polke's "Untitled (Magician)," augment the material on view throughout the museum by spotlighting individual artists and works.