Family owned and operated since 1923, Metropolitan Theatres unspools blockbuster and art-house independent films at 19 locations in the U.S. and Canada using superior film presentation and digital sound systems. Theatre concession stands dole Coca-Cola products and detonate kernels of popcorn to fill bellies and share with encroaching Godzillas. Snacks in hand, customers sink into seats inside conventional or stadium-style theatres to laugh, gasp, and grimace at star-studded titles, such as The Grey, War Horse, or Hugo. Independent films such as The Artist and The Descendants appease creative tastes.
Officially opened in July 1962, Village Country Club incorporates the natural beauty of Northern Santa Barbara County’s wine country as its backdrop. Towering oaks and pine trees play a starring role throughout the course, especially on the 10th hole. There, a stately oak stands right in the middle of the fairway, marking the course's signature challenge and the location of its treasure chest of golden golf balls. At the 16th hole, meanwhile, an elevated tee tempts players to let it fly, all while avoiding a lake and brook running the length of the hole’s left side.
Next to the course, club visitors can practice on the driving range or at a practice green outfitted with a sand bunker. Or, they can step away from golf altogether by taking a dip in the pool and hitting the tennis courts—each of which remains open year-round.
Course at a Glance:
State Street Ballet's lithe dancers gracefully pirouette to classical masterpieces during performances modernized with special effects and digital technology. The season's first show, Starry Night, celebrates Vincent van Gogh's art in a multimedia performance that juxtaposes art, music, theater, dance, and text from the post-Impressionist's recovered Twitter feeds. Choreographed by celebrated dancesmith William Soleau, the ballet aims to mimic the flow of oil paint across a canvas through dancers’ movement as videos project a backdrop of collaged paintings and letters. The surfaces of the recently renovated Granada Theatre are also draped with art, from Moorish-inspired geometric patterns on the golden walls to decorative niches imbued with Old World grandeur.
James Pike started riding waves when he was 8 years old, when his father would drive him out to the boardwalk in Santa Cruz to go boogie boarding. As he grew up, he learned to surf with a local club, buying and repairing his own used surfboard, which was weathered after 40 years of challenging the ocean and being used to write down mermaids’ phone numbers.
As an adult, James founded Pike’s Surf School, where he teaches students of all ages how to balance on boards in surfing and skateboarding classes. Following lessons on technique and etiquette, students can glide through the waves or fly over pavement, and youths can take a combination surfing and skateboard clinic in groups of four. Pictures and video help pinpoint errors in technique, and cross-training improves students' ability to maintain their balance in different situations.
The Saucelito Canyon story begins in 1880, when three acres of Zinfandel vines were planted in the rugged terrain of the upper Arroyo Grande Valley on California’s Central Coast.
A new chapter was written a century later, when Bill Greenough painstakingly restored the abandoned old vineyard in 1974.