Sparks of inspiration can flare into big ideas, as evidenced by Ann Jackson’s zeal for art, which led to her opening a namesake gallery in historic Roswell in 1971. Initially an exhibit space for works from local, national, and international artists, Ann Jackson Gallery today provides a number of interior-decoration services for homes and commercial buildings, such as custom framing and art consultation and restoration. Now helmed by her three daughters, Ann Jackson Gallery maintains a colorful collection of artwork with a specialization in fine oils, including pieces by Ann Jackson herself. The gallery is also one of a few galleries in the world licensed to represent the art of Dr. Seuss, helping customers achieve the American dream of a sneetch on every wall.
In the spacious room of Sip & Stroke’s new location, students of all skill levels pick up brushes and daub pigments onto canvases to create works of art during instructor-guided canvas-painting classes. The art studio especially caters to children, who can take on canvases, clay, or strings of beads on their own, or explore creativity with a parent during Mom & Me sessions. Guests of any age are always free to craft a one-of-a-kind keepsake, creating glittering baubles from the studio’s wall of beads or decorating a pre-made ceramic piece that they hand off to experts to glaze and fire.
Arthur Murray has been a leading name in franchise dance since 1912, when the entrepreneur began selling mail-order dance lessons. Expanding his reach, he enlisted teachers to spread his signature dance lessons on first-class steamships and skyrocketed to fame in the '30s after introducing the public to such dances as the Lambeth Walk and The Big Apple. By the 1950s, Arthur and his wife, Kathryn, were hosting their own highly popular TV show on ABC, The Arthur Murray Dance Party, which ran for 12 years. Today, Arthur Murray's team prepares students for rug cutting at special events and weekend nightclub jaunts. Throughout lessons, instructors teach the foundations of two to four dances from a long list of styles that range from Latin to country-western, helping students to learn basic step patterns, timing, and the ability to lead or follow.
That Pottery Place Studio?s shelves brim with hundreds of unfinished ceramic pieces, each ready to blossom with a completely unique bouquet of colors and designs. Animal-painted plates sit propped alongside decorative birdbaths, planters, coffee mugs, and owl figurines designed to scare pigeons away from the china hutch. Guests can throw their creativity at these 3D canvases using the studio?s stencils, brushes, sponges, and dozens of glazes. Staff members make the rounds sharing tips on technique and helping sort through idea books with painters during open studio time.
Matt Janke dreamed of landing the perfect glass-blowing job. After moving to Atlanta in 1986, he realized there wasn't a single glass studio in town, granting his art a ready-made niche. After settling in, he returned to grad school, earning an MFA in glass with the intent to launch his own university program and ultimately procure his own space. By the time he graduated in 1992, Matt further honed his skills, stockpiled equipment, and, in 1996, opened his own studio and hired himself.
Beyond the perks of being his own boss, having his own studio affords Matt a great deal of creative freedom. He infuses all his handblown light fixtures, tumblers, and vases with the prismatic swirls of his signature style, in which precise lines and natural variations vie for attention across undulating surfaces. A downtown gallery space facilitates sales of these works.
But the studio has also fulfilled more than Matt's original goal of finding glass-blowing employment, going on to catalyze a glass-blowing community. From single apprentices in the early days, the studio is now a full-fledged classroom, with space for five instructors, a dozen students, and the kilns that must melt their glass until they each finish their training by capturing and taming a fire-breathing dragon.
Visiting The Museum of Contemporary Art of Georgia isn't just about seeing works that have already been deemed important. It's also about discovering what the future of art may look like. That's because the museum showcases the visual works of not only established artists, but also emerging talent throughout the state. By investing so heavily in Georgia's artistic community and making the museum's collections available to the general public, MOCA GA strives to preserve these artists' legacies for the viewing pleasure of present and future generations. The permanent collection currently features over 920 works by more than 250 different artists, including paintings, sculptures, photography, prints, and digital works from the mid 1940s to the present day.
MOCA GA's staff displays many of the pieces from the permanent collection alongside works by artists from around the world, demonstrating how Georgia's artistic community fits into a larger global context. The museum hosts rotating exhibitions throughout the year, and it encourages community engagement by regularly holding artist talks and other public programs.