At Crowley Museum and Nature Center, a pioneer museum set up like a general store, historic structures, and a sugar-cane mill depict a Florida homestead as it would have existed between 1850 and 1920. At the heart of the homestead is the Tatum-Rawls House, which was built as a single-story house between 1888 and 1892, and is the oldest example of rural architecture in Florida. Over time, it was expanded to accommodate the Tatum clan, by the addition of a second floor, consisting of William Tatum and his wife and eight children, and was recently restored to its original glory with a wide front porch. Elsewhere on the 185-acre expanse, the Crowley Farm continues to pluck away at the land with pigs, cows, and a horse named Sugar who pulls the cane press to make the juice that is later boiled to syrup crystals. Boardwalks and nature trails traverse the delicate swamp, flat woods, and Tatum Sawgrass marsh that contain a variety of wildlife species including white pelicans, swallowtail kites, and eagles.
The Florida Holocaust Museum, located in the heart of St. Petersburg's museum and art district, was founded in 1992 with the help of prominent Holocaust scholars such as Schindler's List author Thomas Keneally. The museum's three floors feature permanent exhibitions, a library, and smaller rotating exhibits. Housed on the museum's first floor is the core exhibition, History, Heritage and Hope, which documents the Holocaust through recollections of survivors and original artifacts, including Boxcar #113 069-5––one of the few remaining Nazi railroad boxcars. The third floor is home to the museums other permanent exhibition, Kaddish in Wood: Woodcarvings by Dr. Herbert Savel, showcasing his woodcarvings of French children who perished during the Holocaust.
A leading force for change in the community and beyond, part of the museum's mission is to spread its message of tolerance by continuously collecting and displaying contemporary artistic responses to the Holocaust and other genocides. Their hope is to educate and inspire visitors to learn from the past in order to be the upstanders of today. The museum makes Kadish in Wood––as well as 18 other traveling exhibitions––available to museums, historical societies, and community centers nationwide. From scholars reading their latest work to survivors discussing their experiences, the museum's events also shed light on the past in an effort to prevent future genocide.
Since 1922, St. Petersburg Museum of History has preserved the heritage of St. Petersburg and the Pinellas Peninsula with expansive collections and four galleries that host annually rotating exhibits. Its permanent exhibits, meanwhile, trace the area’s history from Native Americans to the present day through artifacts such as a cannonball fired by Union sailors and replica of a parlor car from the Orange Belt Railway. Elsewhere, the World's First Commercial Airline Gallery charts commercial aviation history with a full-size working replica of the Benoist Airboat and the first-ever pterodactyl to earn a commercial-flying license. Visitors looking to delve deeper into the past can explore more than 32,000 artifacts in the museum archives or partake in one of its educational programs such as tours, community classes, and camps.
Inside a building in St. Petersburg, works of art from around the world gather like good friends. Georgia O'Keeffe's Poppy hangs not far from Paul Cézanne's A Corner of the Woods, Pointoise. Claude Monet's Houses of Parliament gives a glimpse of faraway lands, while Thomas Moran's Florida Landscape stays closer to home.
With a range of permanent and rotating exhibitions, the Museum of Fine Arts seeks to engage visitors with art while preserving the pieces in its care. Much of the collection resides in an original 1960s building, but an adjacent modern gallery draws in visitors with special exhibitions, an art library, and interactive educational facilities—ensuring they have plenty of ways to experience art or at least overcome a fear of informational plaques.
Who They Are
Even before the Museum of Fine Arts opened to the public in 1965, founder Margaret Acheson Stuart saw its galleries as a space where diverse audiences could explore art "from antiquity to the present." Architect John Volk had designed the original museum wing to instill visitors with a feeling of solidness and permanence. Decades later, the museum sought to expand, and conducted a nationwide search for a worthy architect. They were rewarded with designer Yann Weymouth, who completed a second building in 2008—a two-story, modern glass conservatory.