In a two-performance exhibition of sweeping set pieces geared toward enchanting children and adults alike, Salt Creek Ballet presents selections from The Sleeping Beauty with special visits from characters such as Little Red Riding Hood and Puss 'n Boots. The folkloric superstars are attending the wedding of Princess Aurora, who has just emerged from her bed after years of attempting to follow up Pet Sounds. For these evenings of fantasy, the company does a pas de deux with guest artists Maria Mosina and Alexei Tyukov, principals of the Colorado Ballet. An all-ages academy of kinetics since 1985, Salt Creek Ballet's alums have gone on to grace the stages of the Joffrey Ballet, Boston Ballet, Nevada Ballet Theatre, Radio City Music Hall, and Cirque du Soleil.
In one sense, Bella Voce?s focus is singular: the human voice, in all its grandeur and intimacy. But beyond their choice of medium, the group?s repertoire knows know bounds. Since 1982, they?ve raised up their voices to deliver classic a cappella pieces, early music, and contemporary works with accompaniment from across the globe. They?ve also commissioned new works from Midwestern composers such as Rami Levin, Frank Ferko, and old farmer Dan from down the road, who sure can whistle. The most recent addition to Bella Voce is the Bella Voce Camerata. In placing just a single singer on each part, the Camerata specializes in pieces whose smaller scope and scale serves as an intimate alternative to the lusher arrangements Bella Voce is known for.
When the Chicago Philharmonic Orchestra was founded in 1988, it was a tightly knit ensemble consisting entirely of principals from the Lyric Opera Orchestra. Since then, it has blossomed into a collective of more than 200 professional Chicagoland musicians. But despite the increased size and bow-tie budget, the players have lost none of their precision or dynamic nature, prompting the Chicago Tribune to herald the group as “one of the finest symphonic orchestras.”
Founded in 2011, the Chicago-based American Chamber Opera features an ensemble committed to singing full-length oratorios in English. Its productions resemble concerts more than traditional opera performances: the music takes center stage as the singers belt and emote in settings that evoke the world of the story with just a few well-placed details.