Austin may not be New York City or even Houston, but for a casual town known primarily for its nightclub music scene, it has one of the most renowned opera companies anywhere in America. Many credit the success of the Austin Lyric Opera to maestro Richard Buckley, an internationally acclaimed conductor who was wooed to Austin’s opera company a decade ago and continues to draw some of the biggest talent in the singing world. Austin Lyric Opera puts on lush, fully realized interpretations of classics from Verdi, Mozart and Puccini, as well as a slew of more modern operas. The company also hosts a range of education and community programs, providing a rich blend of high art and accessibility in the city of Austin.
Drama Kids International, is part of the largest after-school drama program in the world, with more than 50,000 students currently at its 1,500 plus locations both in the United States and internationally. Its copyrighted curriculum features original, creative lessons with a built-in advancing scale of language development
A finalist for the 2006 Richard Rodgers Award, Greetings from Yorkville poignantly chronicles the travails and joys of a Midwestern songwriting duo as they move to Manhattan to realize their dream of a life in musical theater. Under the direction of two-time Tony Award–winner Thommie Walsh, real-life couple Anya Turner and Robert Grusecki dramatize the autobiographical narrative with minimal scenery and few explosions, relying on the textures of her voice interwoven with his piano in a tale that “rings true because it is their own” (New York Times). The Brauntex Theatre will host a one-night-only reprise of the original Off-Broadway run in its intimate 600-seat auditorium, feeding families and garnishing West San Antonio Street with a sliver of Big Apple.
. During 45-minute Kindermusik classes, tots stimulate their minds, bodies, and sense of play with diverse activities based on research demonstrating music's beneficial effect on childhood development. As pintsize hands bang out tunes on provided instruments, brains busy themselves with forming the connections necessary for multiple forms of intelligence, including spatial reasoning, interpersonal skills, and the ability to tell a Jimi Hendrix guitar solo from the synthesized parrot squawks on a Jimmy Buffet album.
The academy's roster of instructors dispenses private education on diverse instrumentation during 30-minute, one-on-one music lessons. Euphonic apprentices can open up their epiglottises in voice lessons, strum away on guitar, or prepare to marshal their army of G.I. Joes by beating some drum skins. Lessons are also available on the piano, as well as band and orchestral instruments. All students except drum and piano pupils must supply their own instruments for use during lessons, where they will learn a curriculum geared to their individual goals and interests. An extensive library of method books imparts the techniques to tackle any style of music and teaches students to read music, so that they're able to interpret the plotline of Mozart's romance novels.
The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.
Although symphonic concerts could be heard in San Antonio all the way back in the 1880s, the formation of the San Antonio Symphony?the city's first formal orchestra?didn't happen until 1939. It was then that Max Reiter, a native of Italy, was forced from his career and home by a freshly established anti-Semitic policy. Reiter boarded a ship for New York, found the city teeming with exiled musicians like himself, and therefore purchased a train ticket to the South. There, San Antonio's leaders invited Reiter to conduct a demonstration concert for a crowd of 2,500. The success of that initial impression led to the formal founding of the Symphony and an inaugural concert just five months later. Today, Sebastian Lang-Lessing stands where Reiter once stood, leading a full ensemble of 75 musicians with a baton hand honed across the globe.