It was the late 1970s, decades after the Holocaust, but neo-Nazis hadn’t disappeared: they threatened to march in Skokie. Realizing the need to combat this kind of intolerance with education, Chicago-area survivors and their supporters banded together to create the Holocaust Memorial Foundation of Illinois. This initiative evolved into the museum which was built to honor the memory of Holocaust victims, educate visitors, and explore the human intolerance that continues to lead to genocide today.
With a showroom full of materials and an impressive body of work that hangs in buildings such as the Trump Tower, Creative Edge helps clients turn bare walls into conversation pieces. Each Creative Edge consultant brings at least 10 years of professional experience to projects, ensuring that every frame perfectly complements its portrait, landscape, or recursive picture of picture frames. These experts also handle 3-D projects, creating shadowbox showpieces for items such as plates, sports memorabilia, medals, and dried flowers. Before settling on a design, clients can peruse the showroom to get creative juices flowing. The showroom offers samples of more than 3,000 different mouldings made from materials that range from classic solid woods to reclaimed roofing supplies, and the gallery features fine-art lithographs, giclées, and original multimedia pieces.
It started in 1977, with a donation by philanthropists John Mayo and Betty Seabury Mitchell of approximately 3,000 artifacts to found the Mitchell Museum of the American Indian. Since its inception, the museum has sought to broaden the public's understanding of the continent's cultural diversity of American Indian and First Nation peoples. To that end, it showcases the historical and artistic achievements of the Native American and First Nations peoples of the present-day United States and Canada.
Donations over the decades have helped swell the meticulously preserved permanent collection to more than 10,000 objects. Consisting of pieces from tribes throughout the Woodlands, Plains, Southwest, Pacific Northwest, and Arctic regions of North America, the collection has a broad-based appeal for researchers, knowledge-hungry visitors, and the culturally curious. Baskets, pottery, clothing, paintings, beadwork, carvings, and archaeological and ethnographic artifacts dating from Paleo-Indian times to the present fill the display cases. Additionally, the museum features special areas where guests can touch and handle Native-made tools and raw materials?including snakeskins, birch bark, and turquoise?that the Native American and First Nations peoples historically would have used in everyday life. Temporary exhibits explore specific themes, such as the cultural identity of mixed race Native peoples and the traditions of storytelling in Native culture.
With more than 23,000 square feet of public space, Kohl Children's Museum gives its young visitors plenty of rooms in which to play. The kid-focused facility houses 16 permanent exhibits for infants and children up to 8 years of age, each filled with hands-on activities designed to encourage learning and exploration.
City on the Move helps children learn about Chicago by challenging them to build city scenes from geometric shapes or crank an electricity-generating wheel to power a pretend John Hancock Center. Kids can follow animal footprints to their source in Nature Explorers, move musical notes to create melodies in Ravinia Festival Music Makers, or explore the rotating temporary exhibits.
Living Sea Aquarium, Inc. can provide you with great aquariums, equipment and livestock. We get new fish shipments every week. We hae a knowledgable staff and a great selection of marine fish, inverts and fresh water fish. If you want it, we can find it for you. We are open 7 days a week.
"You know, Unity Temple is my contribution to modern architecture"—bold, blunt, and revolutionary, Frank Lloyd Wright single-handedly forged the Prairie school of architecture, of which Unity Temple is perhaps the purest example. Built between 1905 and 1908, the church broke all of the traditional rules, replacing the steeple with low, flat roofs, removing the prominent entranceway to create a sense of monolithic austerity, and most daringly of all, using poured concrete as not just a structural element but an architectural one. This honest exposure of a conventionally hidden material reflected the philosophy of a man who valued genuine candor over sweetened niceties, whether in word or in stone.
More than a century since its construction, the church is in the midst of an ongoing restoration, funded by member sponsorship and daily admission fees. Although the interior still luxuriates in the wash of natural light from the stained glass ceiling, and the boxy, modern light fixtures flicker on, the exterior faces severe weathering due mainly to Wright's eternally before-his-time designs, which failed to account for the effects of water and time on concrete, and an infestation of rockbiters in the 70s.