The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.
Popular globetrotting pop collective Architecture in Helsinki transforms Royale into a throbbing, futuristic discotheque as its latest tour storms American shores. Formed in Melbourne, the ambidextrous dance band stirs fans with a tornado of flamboyant sounds, infectious anthems, and commitment-free instrument swapping. With hits such as “Do the Whirlwind” and latest single “W.O.W.”, lead crooner Cameron Bird and his cakewalking team of tunesmiths tickle ear bones and rehabilitate ankles in support of their latest album, Moment Bends. During the kaleidoscopic performance, the band seduces dance floors with 10-foot hooks and sounds culled from hypnotic synths, romantic glockenspiels, and strummed chest hairs.
David Gray's soothing folk-rock sounds and heartfelt lyrics have serenaded fans for nearly 20 years, earning the artist accolades and chart-topping hits in the United States and U.K. Gravelly voiced Gray mixes poetic introspection with ethereal guitar melodies to create songs that plumb soulful depths like existential octopuses. On his successful Lost and Found tour, Gray will supercharge his signature acoustics with live-performance electricity, performing a bevy of songs including numbers from his recent album Foundling. Groupon-holding spectators will sate aural appetites from level 3 seats—located in the outer banks of the orchestra and loge levels and in parts of the balcony—of the historical Orpheum Theater, with quadruple tier seating that provides ample views of every note as they flutter away from the stage and into the embrace of a nearby eardrums.
Howl at the Moon’s trademark dueling pianos serve as the epicenter of nightly celebrations, as patrons submit their favorite songs on slips of paper for the pianists and backing musicians to recreate. If the website’s playlist is any indication, the bands can handle popular songs from all genres and eras, from Bon Jovi’s “Livin’ on a Prayer” to Kanye West’s “All of the Lights.” The performances are spirited: colorful lights splash upon a stage where servers, guests, and chairs that have somehow developed mobility all dance along to the music.
Fueling the celebration is the bar’s indulgent selection of drinks. Servers stand over patrons to plunge jello injectors into their mouths, and revelers grab colorful straws to help drain 86-ounce booze buckets filled with sangria or other fruity libations. Pomegranate liqueur and honey-infused whiskey sweeten specialty cocktails, and local beers add depth to coolers stocked with Sam Adams and Harpoon IPA.
The Citi Performing Arts Center's calendar of musicals, operas, rock concerts, dance productions, standup comedians, and classic-film screenings is a culmination of its decades as a Boston historical landmark. Starting out in 1925 as a "movie cathedral," the theater?then a renovated arts center capable of housing the most ambitiously scaled Broadway productions?morphed into the headquarters of the Boston Ballet. Throughout all its names and incarnations, the venue has retained the grandeur and luster of some long-lost wing of Versailles. In the lobby, dark-veined columns carved from imported marble vault skyward toward an arched ceiling and an enormous crystal chandelier that hangs like a pendulum from its center. In the theater itself, frescoes and intricate filigree surround the golden cupola that looms over a sea of scarlet velvet seats?a sight as awe-inspiring to audiences as it is terrifying to first-graders performing their first clarinet recital there.
Music connoisseurs and building buffs regard Symphony Hall as one of the finest concert halls in the world. Sixteen replicas of Greek and Roman statues line the walls, and its airy space lends a majestic resonance to each string pluck and unexpected sneeze. Opened in 1900, Symphony Hall was the first auditorium designed in accordance with scientifically derived acoustic principle, sloping inward to help focus the sound of the orchestra's stirring string renditions.