Dirty Rotten Scoundrels is a musical comedy based on the 1988 film of the same name starring Steve Martin and "wild and crazy guy" Michael Caine. The stage adaptation follows competing con men Lawrence and Freddy as they scheme and swindle their way through the French Riviera. After failed attempts to team up, the suave Lawrence and the not-as-suave Freddy make a bet on who can steal $50,000 from a young heiress—the winner keeps the cash, and the loser has to leave the Riviera. The show boasts a Tony Award–nominated score by David Yazbek, the songsmith behind the similarly adapted-from-a-movie The Full Monty, as well as a pyramid scheme's worth of laughs from the capable cast.
Trapeze School New York Beantown's instructors marry exercise and art as they teach trapeze calisthenics to aerial athletes of all skill levels, winning praise and coverage from publications such as the New York Times, Huffington Post, Boston Herald, and Wall Street Journal. Their skilled instructors team up with students to safely defy gravity during aerial classes, party packages, and kids' summer youth programming, which span airborne disciplines such as flying trapeze and silks to nonairborne skills such as juggling.
The school fuels communication within the high-flying community through a digital discussion group and special events. Additionally, TSNY's nonprofit community-outreach branch donates flying-trapeze instruction to underprivileged people and supports the arts and sciences through fundraising events.
Influenced by dance trends from Europe to Latin America, the staff at SuperShag Dance Studios splits its time between three Boston-area spaces filled with dancing poles, yoga mats, and custom sound systems. Founder Chris Johnston—who won several amateur Latin dance championships as a kid in Ireland and was named a World Class adjudicator by the National Dance Council of America—carefully amassed his talented troupe of teachers from dance schools around the world and from Fred Astaire’s botched attempts to clone himself. During private and group lessons, they spice up Latin-, ballroom-, and pole-dance numbers with an urban twist heavily influenced by British Dancesport, and ready students for competitions.
On Friday nights at Crosby Whistle Stop dance hall, the floorboards heat up under the swinging steps of students, regulars, and teachers cutting a rug at Boston Swing’s Central’s weekly social dances. Sometimes it’s pre-recorded tunes and sometimes it’s a live band inspiring the boogiers, but either way, it’s a rollicking good time for all ages and skill levels and no partner is required.
The weekly party, which starts with a group class from 8-9 p.m. and then transforms into a free-for-all from 9 p.m. – 12 a.m., is the focal point of the non-profit dance organization. Boston Swing Central also offers classes and boot camps where dance instructors teach you how to do the east coast, lindy hop, and Charleston.
A joint effort of the inmates of the Improv Asylum theater and the soon-to-be unleashed comedy club Laugh Boston, the Legends of Boston Comedy New Year’s Eve show offers a knee-slapping alternative to televised events and auld lang sighing. Set in the historic confines of Plymouth Memorial Hall, laughs reverberate and glasses clink in celebratory toasts as favorite veteran comics of the Boston scene let loose with ribald punch lines.