The consortium of professional instructors at Fred Astaire Dance Studios, which was cofounded by the legendary toe tapper himself, shepherds students of all ages and skill levels through lessons that span the style spectrum. Low-pressure private sessions allow enthusiastic teachers to fine-tune individual students' techniques and form, using their expert eyes and mechanical dancing shoes preprogrammed to do the Charleston. Patrons can learn how to cavort through classic waltz and fox-trot romps or swivel through the modern steps of salsa, swing, or samba. For dancers hoping to hoof it up in a social setting, the group practice parties provide a one-night extravaganza of instruction, demonstrations, and amateur firewalking.
At Art & Soul Gallery Studio, Lis-el and Alexis Crowley lead casual art classes in a space brimming with creations by local artists. In the studio, the artists demonstrate steps in crafting items such as fused-glass pieces and painted scarves. Students follow along during class sessions, eventually bringing pieces into existence with their own individual flair and burgeoning telekinetic powers. After class, students can decamp to the gallery for a glimpse of other’s work or pop into a comfortable lounge for sips of coffee or tea.
Spanning four locations, Club Fitness caters to health-seekers with its expansive cardio rooms, personal-training sessions, and group fitness classes. Most studios boast an impressive array of amenities, such as a private, women-only area, shake and supplement bar, babysitting, tanning beds, and weights that lift themselves and then high-five you. Guests can work out on the sprawling cardio decks, or get sweaty in group fitness classes that include Insanity, Bodypump, and Step.
Each instructor at Evolution Pilates is certified through Stott Pilates, which requires a minimum of 200 hours of training. Backed by this certification, the instructors lead private and group classes for all types of exercisers, from beginners to experienced athletes. The classes incorporate equipment such as reformers, which help exercisers build lean muscles.
Called America's Best New Public Course Under $75 in 2006 by Golf Digest, King Carter’s course of scenic fairways and championship tees challenges ball-smackers of every strength. Up to two golfers can club through King Carter’s par 71 greenery (up to $49 value each), which features up to 6,818 yards of majestic vineyard views. King Carter’s Old World–inspired course design invites golfers with its natural woods, glistening streams, dramatic contours, and sand traps hosting life-size dioramas of The Iliad. Game-day golfers will also receive two small buckets of range balls (a $3 value each) to practice at King Carter’s 20 station tees and short-game area, plus a cart for cruising the fairways. After swinging their way across the well-tended turf, metal-rod-wielders can mend fatigued physiques with a meal fit for a summer camper: chips, a bottle of soda, and a choice of a hot dog, hamburger, or cheeseburger (an $8 value).
When Maggie Carchrie voyaged to Cape Breton Island in Nova Scotia, she hardly expected to discover a passion that would win her the U.S. Mòd Women's Championship in Gaelic Singing two years later. She was immediately enchanted by the traditional music of the region, planning her future travels around the areas of Cape Breton and Scotland and diving headfirst into the Celtic culture. With a college degree in music therapy and a resume that boasts subsequent studies at the Ceòlas Music School, she built a foundation for a life filled with award-winning Celtic performance and education. She lays claim to two albums, books several East Coast showcases throughout the year, and furthers the reach of Celtic stylings through the concerts and CDs of Mermaid Productions. Maggie draws from all of these experiences to act as director of the Callanish School of Celtic Arts. There, she instructs students of all ages in music, dance, and lyrical language, managing a non-competitive venue for guests to experiment with age-old harmonies and master a brogue without having to install a second tongue. From the high-stepping choreography of Scottish Highland Dance to the signature keening of the bagpipe, she outlines several levels of melodic techniques, all of which are steeped in rich history.