With an agile army of acrobats from groups such as Cirque du Soleil and the Moscow Circus twirling and spinning along old-time-inspired machines, Boom Town ponders the connection between humankind and its manufactured labor assistors. Audiences are teleported to the old frontier mining town of Rosebud in 1865, where two shrewd, business-minded saloon owners hope to take advantage of the influx of gymnastically gifted gold-seekers. The battle for riches sparks a musical adventure full of pole-climbing prospectors, dancers atop swinging chandeliers, and authentically flipping cowpokes swathed in colorful costumes.
The Worcester Chamber Music Society brings world-class chamber music to
intimate Greater Worcester venues. WCMS nurtures the community as well as young musicians through a unique combination of affordable concerts, education and community outreach.
At Summit Studios, aspiring singers and musicians can learn to play a variety of instruments and sing under the tutelage of experienced instructors. During the private, 30-minute lesson, students can saturate their brains and portable chalkboards with the theory behind guitar, piano, saxophone, clarinet, trumpet, or drums. Meanwhile, in the voice lessons, expert warblers can train croaky cords to emanate mellifluous vibrations through a focus on breath support, intonation, and sight-reading.
Inside the historic Lederer Theater Center, which was originally constructed in 1917, the Trinity Repertory Company stages exciting presentations in two different theaters. The musical Camelot will be showing at the Chace Theater, which can accommodate more than 520 attendees and four prize-winning racehorses. A stellar cast, featuring Stephen Thorne as King Arthur and Rebecca Gibel as Guenevere, graces the stage for two hours and 40 minutes to reenact the medieval tale of how the debonair Lancelot learns to speak remedial French so he can work in a Parisian bread factory. A Tony Award–winning theater, the Trinity Repertory Company keeps audiences chuckling, sobbing, and staring in rapturous joy with delightful performances. Call ahead to reserve your seat spot.
In his first design for 5 Wits, Mathew DuPlessie channeled the fedora-wearing, whip-cracking swagger of Indiana Jones. Called Tomb, this interactive entertainment experience threw its participants into ancient Egypt to solve riddles and clues from a supernatural pharaoh. Since then, DuPlessie, a graduate of MIT and Harvard Business School, has opened up two new adventures that combine the immersive special effects of a Hollywood movie with the interactive role-play of a video game. "It's hands-on entertainment," the former designer for Disney World and Universal Studios told the Patriot Ledger, "that forces people to get off their rear end."
Thus far, all of his adventures have worked to immerse the mind and the senses—the Shakespearean origins of the company's name. Taken from Much Ado About Nothing, "five wits" refers to the Bard's nod to memory, imagination, fantasy, common sense, and estimation. Though the scenarios are meant to thrill and challenge players, none are meant to frighten, nor are they designed to be beyond the reach of those with average physical ability and psychic powers.
Since 2004, HMSD has earned the reputation of one of the finest institutions of dance education in Southern Mass.The school's reputation, due in large part to Heidi's commitment to her students and families, has directly resulted in an extraordinarily devoted following of aspiring dancers and families.