Built in 1925, the Temple Theatre first served as a vaudeville venue, later becoming a host for road shows, burlesque, and movies. However, the theatre closed in 1965, and would be subjected to disrepair, vandalism, and skeleton xylophone recitals for more than 15 years. A 1981 restoration project returned the theatre to its former glory. Today, seated under the gilded chandelier and wooden trim, theatergoers lose themselves in the thoughtful dramas enacted upon the stage.
An unprecedented collaboration of two of the musical cosmos’ most longstanding talents, Michael Bolton and Kenny G grace the Crown Coliseum for an evening of soulful swooning and Grammy-winning tunes. Social activist and musical astronomer Michael Bolton belts his treasure chest of hits into the stardust, showcasing the bulletproof voice that churned out such classics as "Love Is a Wonderful Thing" and put Cupid on the dole. Kenny G, the preeminent scientist of the soprano saxophonist, unleashes the subtly snake-charming yet Herculean notes that have blown away millions of listeners and the rest of the letters in his last name. Kenny might also strut his alto- and tenor-sax skills or indulge in a pied pipe on the flute. This romantic summer evening gives concertgoers the rare chance to catch two sonic titans sharing the stage, much like watching hydrogen and oxygen making a waterfall together or a battle of the bands between the makeup and non-makeup versions of Kiss.
Popular globetrotting pop collective Architecture in Helsinki transforms Cat’s Cradle into a throbbing, futuristic discotheque as its latest tour storms American shores. Formed in Melbourne, the ambidextrous dance band stirs fans with a tornado of flamboyant sounds, infectious anthems, and commitment-free instrument swapping. With hits such as “Do the Whirlwind” and latest single “Contact High,” lead crooner Cameron Bird and his cakewalking team of tunesmiths tickle ear bones and rehabilitate ankles in support of its latest album, Moment Bends. During the kaleidoscopic performance, the band seduces dance floors with 10-foot hooks and sounds culled from hypnotic synths, romantic glockenspiels, and strummed chest hairs. Filling out the bill, Swedish dance wizards Lo-Fi-Fnk enchant with instant club hits and songs for strobe-light campfires, and pop enthusiasts Dom charm with stargazing Casios.
Located a stone’s throw from Symphony Lake, Koka Booth Amphitheatre emerges out of 14 acres of hardwoods and pines to offer up its stage to traveling national acts, theatrical productions, and movie screenings. Although its wood and earth-toned beams camouflage the venue within its natural surroundings, passersby can notice its sleek exterior glistening in the moonlight during nighttime performances. The outdoor amphitheater––designed by William Rawn Associates of Boston, which also constructed the Cambridge Public Library––seats up to 7,000 people on its spacious lawn, crescent deck, or loft bird nests.
Just minutes from downtown's bustling shops and overlooking the glassy waters of Tampa Bay, The Mahaffey's picturesque building hosts some of Florida's most entertaining art and performance offerings. Originally built in 1965, the renovated building's floor-to-ceiling glass façade pierces the night with softly glowing light, cordially inviting patrons inside and awakening desires in moths that can never be fulfilled. The box-style seating of the theater ensures clear sightlines for all patrons, and its excellent acoustics make the venue suitable for both thunderous rock bands and delicate chamber ensembles.
Formed in the glory days of heavy metal, Queensrÿche rocks audiences with songs that reveal the fierce polish of 30 years of evolving artistry. The band's distinctive mix of prog rock, metal, and subliminal messaging rocketed their Empire album up the charts, launching hits such as "Silent Lucidity," "Jet City Woman," and "Best I Can." Normally reserved only for members of Queensrÿche's fan club, a backstage meet-and-greet lets a small group of the devoted make personal connections with the four lords of loudness, shaking their lightning-fast hands and comparing headbanging techniques. With experience opening for Nickelback and Staind, opening band The Fifth's wailing guitars rally fist pumps and head thrashes as raging as a riverbed full of angry bulls.