Greg Frewin's list of accomplishments—which includes winning numerous awards and playing to international audiences—is so lengthy even he would have trouble making it disappear. Greg makes jaws drop and heads scratch with a fast-paced, Vegas-style magical review. The sleek, lavender-hued theatre seats more than 600 patrons for a family friendly show that features unreal illusions and exotic animals, including Greg's pet tigers, Boomer, Cashmere, and Shimira. As the curtain goes down, show-goers will leave the auditorium delighted by dexterous sleights-of-hand, which, like the actual spelling of Saskatchewan, will remain forever a mystery.
The historic 85-year-old Riviera Theatre welcomes moviegoers to experience the show-stopping splendor of an original 1920s movie palace, boasting no less than 1,150 seats and myriad perching possibilities for taking in a roster of Streisand's most beloved films. Beginning June 30 with What's Up, Doc? and concluding with The Way We Were on September 1, the film series presents nine of Babs's best flicks for ultimate fan perusal and trivia-night upsets at Fran Drescher's house. Bask beneath the crystal-laden chandelier on July 21 and August 11 to chortle along to Barbra's portrayal of famed comedienne Fannie Brice in both Funny Girl and Funny Lady respectively, and mark your calendar for July 7, when A Star is Born examines Streisand's brief foray into celestial midwifery. Pummel your senses in The Main Event (July 28), extend greetings to Hello, Dolly! (August 4), witness the charged banter during The Owl and the Pussycat (August 18), and don cloudless glasses during On a Clear Day You Can See Forever(August 25).
It's fitting that Alleyway Theatre makes its home in a renovated bus depot—the venue is a destination for local talent. The company focuses on Buffalo artists, frequently staging world premieres and fostering the work of homegrown playwrights. Freshly penned plays and acclaimed shorts entertain audiences in the historic venue, which sports the curved walls, stainless steel trimmings, and distinctive mustache of the Art Moderne architectural style.
Originally a whimsical children's book, and later a popular Disney film, the Broadway stage production of Mary Poppins administers a sugar-spooned dose of dancing chimney sweeps and aerial stunts to audiences on its national tour. Unlike some English nannies who instill discipline with a stiff upper lip and an even stiffer pitchfork, Mary Poppins teaches children with a kinder, albeit unorthodox, arsenal of happy work songs and bottomless carpetbags. Welsh native Caroline Sheen brings the practically-perfect-in-every-way babysitter to life in a nearly three-hour (including intermission) Disney dance-tacular that combines favorite movie songs with all-new numbers and forgotten scenes.
When Theatre Passe Muraille opened in 1968, it transformed the historic landmark Nasmith Bakery and Staples into a sanctuary for new Canadian art. But true to its name, the theatre is not constrained by any walls?literally or figuratively. Besides encouraging independent and experimental works, Theatre Passe Muraille expands beyond its brick-and-mortar location to stage innovative site-specific performances throughout Toronto. They practice a collaborative philosophy in order to achieve their far-ranging goals, valuing value risk higher than success or number of bouquets tossed onstage.