Though the creatures on display at Dinosaur World don’t need much space to roam, plenty of care has been taken to furnish them a comfortable habitat. They peer imposingly from the hillsides of Kentucky, crane their necks up through native trees, and stomp through prairie fields. Although a life-size mammoth or T. rex might be hard to miss, little visitors might still jump with delight at noticing a baby dino suddenly appear from behind a bush. Giant brachiosaurus necks arch high above treetops, while toothy meat-eaters and spiny stegosauruses roam the world below. The fiberglass, steel, and concrete models reach up to 80 feet in length, and are built according to the latest scientific discoveries about what dinosaurs looked like and what styles were trendy in the Mesozoic era.
The first Dinosaur World location was a former alligator farm in Florida and five years later another one was opened in Kentucky. As Swedish-born Christer Svensson began to fill it with statues, he consulted with experts around the world to not only create realistic reptiles but to surround them with fun, educational activities. Kids can sift through sand to find shark’s teeth, gastropod shells, and trilobites in a fossil dig, get to know some lizards a little better on the playground, or examine ancient eggs and raptor claws in the museum.
In 1885, behind the counter of Wade Morrison's Old Corner Drug Store on the corner of Six Shooter Junction in Waco, Texas, pharmacist Charles Adlerton was struck by an idea. After observing how much patrons loved the combined scent of the many ingredients hidden within the soda fountain, he decided to create a drink that captured all their properties. He wound up inventing Dr. Pepper, and after one sip, Dublin Bottling Works owner Sam Houston Prim knew he wanted to sell it. Though the famous drink and plant have since parted ways, Dublin Bottling Works continues to celebrate that original legacy by crafting pure-cane-sugar sodas in chilled glass bottles, the way their employees have for more than 100 years.
Today, the bottlers' products find their way onto shelves all around the nation, and they invite visitors to come watch them while they work. They lead tours through their historic plant and the memorabilia-laden museum that now occupies their original offices. At the end of the tour, they make a stop in Old Doc's Soda Shop, where visitors can sample their products from an old fashioned soda fountain and buy bottled goods to drink at home or shake vigorously and then offer to neighbors who keep eating your newspapers.
Owners Maarten and Hanna Vanderstoel created Van Grow Studio of the Arts to promote creative thinking and problem solving in children through artistic crafts. Boasting degrees in fine arts and studio arts, respectively, Maarten and Hanna teach most of the classes and prepare the curricula for all of the studio's camps. TCU graduate Alma Worrell manages the open studio and paint-your-own-pottery rooms, which are also accessible to adults. Van Grow's upbeat instructors nurture creativity and confidence across three age groups, offering classes, parties, and workshops to pique a wide range of interests. Courses foster each student's individual vision, rather than a mastery of technique, and help to develop motor skills, self-esteem, and the ability to sculpt gummy-bear replicas of Rodin's The Thinker.
Since opening in 1961, the Amon Carter Museum of American Art has built up a world-class collection of more than 200,000 pieces, including 19th- and 20th-century canvases from Winslow Homer, Thomas Eakins, and Georgia O'Keeffe. Those masterworks share space with works by artists Frederic Remington and Charles M. Russell, among others, a collection of American photographs, and one of the country's earliest daguerreotypes. Special exhibitions delve more deeply into such styles as American modernism, abstract art, and landscape photography. The museum also strives to educate visitors through children's programs, book clubs, and lectures by artists and scholars on topics such as why it is unsafe to eat the fruit painted in still lifes.
Shingled peaks and a lofty white balcony greet visitors as they stroll up to the Texas Civil War Museum, where more than 15,000 square feet of exhibits and collections work together to educate present generations on The War Between the States. The museum's themed sections weave a visual trek through time with artifacts preserved from both sides of the conflict, including infantry, cavalry, and artillery remnants. Medical relics and musical instruments supply additional glimpses into the war zone, and a collection of more than 300 Victorian dresses, which rotate on exhibit, showcases the style of women and celebrity cannons from that era. In addition to escorting guests through history, the museum also plays host to frequent events, such as monument ceremonies and live musical acts.
In the Fort Worth Museum of Science and History, the Omni Theater’s domed, 120-foot-wide IMAX screen towers over moviegoers, projecting myriad tales of human, beast, and machine alike across eight stories. The screen has born documentaries on topics such as the Serengeti desert, the Grand Canyon, and the aquatic ecosystems that distinguish the ocean from well-maintained dunk tanks. Originally limited by its scale to films that lasted an hour or less, the theater can now show feature-length films thanks to digital remastering technology, and its new IMAX IDO projection lens has increased films’ brightness and sharpness. These developments mark yet another addition to its pioneering history, which includes being among the first IMAX screens in the region when it opened in 1983.