Teaching hips to swivel to new circumferences, dance instructors impart their masterful moves unto students in the respected tradition Arthur Murray has upheld since 1912. Students dance with a partner, or the instructor, who provides a greater understanding of the dance style of their choosing with either method. Protégés may find their new moves applicable in a number of settings, such as when prepping for a wedding dance or blending into an airport crowd that breaks out in a cha-cha. Embodying the three-count time of a stately waltz brings partners in close; rumba moves and swing steps add vibrancy and playfulness to one’s repertoire. Arthur Murray Dance Centers provide a warm, aesthetically sound environment for engaging in private and group dance lessons superbly suited to slicing and dicing a rug until it is no longer recognizable.
Metropolis Performing Arts Center enriches the community with the beauty and culture of the theater, so it only makes sense that their version of a 5K is intensely theatrical. Dressed as a favorite stage, screen, or TV character, participants walk, jog, and monologue their way through a route that rolls by the verdant lawns and tree-lined streets of Arlington Heights. Twists and turns down Walnut and Maple and Chestnut streets breaks up Evergreen and Highland Avenue straightaways, and prizes at the finish line reward out-of-breath thespians for creating the best group or individual costumes.
State Street Dance Studio is committed to teaching and passing on the art of inspiration through dance and physical expression. The studio welcomes students of all ages and abilities to open your arms, spread your wings and let your spirit soar . . .”
The consortium of professional instructors at Fred Astaire Dance Studio, which was cofounded by legendary toe tapper Fred Astaire himself, shepherd students of all ages and skill levels through lessons that span the style spectrum. Patrons can learn how to cavort through classic waltz and fox-trot romps or swivel through the modern steps of salsa, swing, or mambo.
When it originally opened in 1929, the Raue Center For The Arts was dubbed "El Tovar," though no one knew what that meant?it was jut a term overheard by one of the venue's founders on a trip to the west coast. Regardless of its meaning (or lack of one), the name seemed to accurately define the theater's elegance, from the star-filled sky of its ceiling to the facades of Spanish buildings lining its walls.
El Tovar drifted into deterioration over the years, undergoing several different monikers as it switched from owner to owner. Luckily, a generous bequest from Crystal Lake resident Lucile Raue led to a much-needed restoration. A two-year renovation left the theater looking as glamorous as it did when it was El Tovar?seats were reupholstered, and every android usher received an oil change.