Groundbreaking Canadian chanteuse K.D. Lang has always been ahead of her time. During the late '80s, while country music was busy trying on rock 'n' roll britches, K.D. moseyed in with a voice as pure as a Mountie's heart, giving honky-tonk purity back to the airwaves while curing the cowgirl blues. Her striking stage presence and ability to lasso Patsy Cline’s poltergeist with her herculean larynx led to multiple Grammy awards, and her sound branched out into lush pop territories in hits such as “Constant Craving” and “Miss Chatelaine.” With the support of her first backing band in 23 years, Siss Boom Bang, K.D. yowls and purrs with grace and intensity through a live set of twangy barnburners and heart-tugging torch songs in support of her latest album, Sing it Loud. From comfy and wide lumbar-supported seats, fans savor the majesty and opulence of Overture Hall, where the exemplary acoustics allow K.D.’s unmistakable voice to reverberate like whale calls through the Grand Canyon.
In addition to helping support the Union, a completely self-supporting, non-profit organization, a community membership to the Wisconsin Union grants card-carriers access to grand opening events, hotel discounts, specialty classes, and more. During summer, the Terrace on the shores of Lake Mendota hosts live music five nights a week, and the Lakeside Cinema screens films on Monday nights. Throughout the year, members can take advantage of renting rooms for events, purchasing food from the Union’s 21 eateries, campus-wide WiFi access, and a connection to the heart, soul, and sweaty date-night palms of the University of Wisconsin student body.
Lizz Wright is a gospel-trained contralto, born in Georgia and now based in New York. As Stephen Holden of the New York Times articulates, "Her voice, luminous and smoky and perfectly pitched, is one of the most wondrous rhythm-and-blues instruments of our time." Lizz wrote the majority of her latest album, Orchard and, like her other releases, it's as smooth and mysterious as butter melting over butter. Equally as impressive are her interpretations of classics including Patsy Cline's "Strange," Ike and Tina Turner's "I Idolize You," and Led Zeppelin's Korean Conflict protest ballad, "Thank You." Mitchell Park, which allows Lizz Wright's sultry vocalizations to float to lawn-lounging ears unimpeded, also features sustenance options from Haute Taco, North Star American Bistro, Loaf & Jug, and Bella Caffe.
Since 1960, the nonprofit Sunset Playhouse has grown and flourished alongside the community that helped build it, offering access to lively performances and Broadway classics. In the frank, funny, and potent Pulitzer- and Tony-nominated play 6 Degrees of Separation, playwright John Guare uses the story of conman David Hampton, chronicled by the New York Times, as a springboard for an existential proposal: all of mankind is connected by a string of six acquaintances.
During the day, the concrete heights of the Marcus Center for the Performing Arts tower over the waters of the Milwaukee River like an imposing, postmodern fortress. As night falls, however, and patrons meander toward their evening's entertainment, the building’s façade glows with colorful, scintillating lights that hint at the eclectic performances inside. The elegant Uihlein Hall regularly hosts such august organizations as the Milwaukee Symphony Orchestra and Florentine Opera Company, whereas smaller, more intimate venues such as the Todd Wehr Theater situate audiences close to the stage so they can immerse themselves in dramas or hear the wail of a set builder who smashed his thumb with a hammer.
Established in 1926, The Eagles Club was recognized by the National Register of Historic Places 60 years later. Today, the theater’s six distinct venues, from the vast, opulent Eagles Ballroom to the gritty and intimate Rave Bar, leave room for a half-dozen acts every night, and more on nights when the musicians spontaneously embark on solo careers midshow.
Teddy Roosevelt took a bullet in the chest outside the Milwaukee Theatre in 1912, but he was so enamored with the place that he plugged the hole with his thumb and marched back in to give an 80-minute speech. Built in 1909 over the same space where the Milwaukee Industrial Exposition Building once stood, the cultural center has persevered to become one of Wisconsin’s most colossal and elegant theater destinations. The venue sports two-tiered seating with optimal sightlines from each of its 4,086 patrons' seats.