Groundbreaking Canadian chanteuse K.D. Lang has always been ahead of her time. During the late '80s, while country music was busy trying on rock 'n' roll britches, K.D. moseyed in with a voice as pure as a Mountie's heart, giving honky-tonk purity back to the airwaves while curing the cowgirl blues. Her striking stage presence and ability to lasso Patsy Cline’s poltergeist with her herculean larynx led to multiple Grammy awards, and her sound branched out into lush pop territories in hits such as “Constant Craving” and “Miss Chatelaine.” With the support of her first backing band in 23 years, Siss Boom Bang, K.D. yowls and purrs with grace and intensity through a live set of twangy barnburners and heart-tugging torch songs in support of her latest album, Sing it Loud. From comfy and wide lumbar-supported seats, fans savor the majesty and opulence of Overture Hall, where the exemplary acoustics allow K.D.’s unmistakable voice to reverberate like whale calls through the Grand Canyon.
Since 1960, the nonprofit Sunset Playhouse has grown and flourished alongside the community who helped build it, paying them dividends in lively musicals and family-friendly classics. In Craig Lucas’s Prelude to a Kiss, Rita and Peter’s seemingly perfect wedding takes a turn as unexpected as the end of Titanic, when a mysterious old man interrupts the celebration to request a kiss from the bride. The gesture causes their souls to trade places, leaving Peter to unknowingly take a total stranger on a honeymoon. As the groom realizes his error, he seeks out his beloved, who is now trapped in an aged body, forcing the couple to navigate through unexpected challenges involving commitment, physical appearance, and arguments over how much to tip at Denny's.
The Equinox Jazz Orchestra delivers soul to the stage, paying tribute to influential songwriter Johnny Mercer. At the Mostly Mercer Show, the band aurally embraces the audience with classic American songs, including “Fools Rush In,” “Days of Wine and Roses,” and “Blues in the Night.” Ears perk up at the sound of fondly remembered tunes such as “Moon River,” a greater success than either “Star Stream” or “Orbiting Celestial Body Waterfall.” Enjoy the high-octane trumpet wails and southern groove of band leader Jeremy Davis’s professional ensemble as it performs an original arrangement of Mercer’s music, specially commissioned by the Friends of Johnny Mercer to mark the songsmith’s centennial.
Atlas Improv Company shows, which rely on audience participation and judging, draw everybody in the house into a night of innovative, unpredictable theater. Launched six years ago when the performers at Comedysportz Madison broke off to form a new company, Atlas is dedicated to exploring the boundaries of improv and then colonizing everything beyond those boundaries. The group's approach emphasizes storytelling over traditional improv rules and time limits, resulting in richer narratives, deeper character development, and a unique blend of traditional theater and modern improv, like a pizza topped with iPhones.
Madison's experiential comedy show takes place at the eastside Glass Nickel Pizza Company on Atwood Avenue and begins at 8 p.m. (doors open at 7:30 p.m.). The Monkey Business Institute features no sets, props, or scripts, which allows the hilarious ensemble to craft improv hilarity off the spur of their cufflinks. With decades of improvisational cosmonaut experience and interactive audience participation, each show is distinct and spontaneous. This simian comedy collective features improvisers such as Matt Sloan and Aaron Yonda, who have received more than 70 million YouTube hits for viral video sensations such as "Chad Vader." Keep a third eye peeled for other local favorites Brad Knight, Jason Stephens, Sheila Robertson, and more.
The sprawling four-day Bhakti Fest West solemnizes emotional attachment and devotion toward a personal god with its 26 yoga demonstrations, workshops where advanced yogis share mystical truths, and healing sanctuaries that feature massage, reiki, and acupuncture. The deep, soulful voice of Krishna Das headlines the festival’s lineup of more than 40 musical acts. Originally from New York, Das has toured the globe with music that interweaves feverish cadences with traditional and modern instrumentation. The former rock ‘n' roller and Grammy nominee explains the atavistic appeal of chanting by saying that it "just hits you and you want to be a part of it . . . you don't have to know what it means."