To beat the all-tackle world record for a yellowfin tuna, you'd have to hook a behemoth weighing in the neighborhood of 450 pounds. Should any angler ever successfully snag such a fish, the record keepers of the International Game Fish Association will be among the first to announce the catch's confirmed stature. As part of their mission to conserve all types of game fish and to promote ethical angling practices, the IGFA representatives also advise fishermen on how to bring the catch ashore, verify its measurements, and release it while causing as little stress to the fish as possible.
The association’s conservation efforts continue with its IGFA Great Marlin Race program, a partnership with Stanford University that outfits fishermen with research equipment to achieve a better understanding of marlin biology and the cause of pruney fingers. The IGFA also keeps the community engaged with ethical game fishing by hosting school groups and summer camps for kids. Beyond this programming, the IGFA maintains a museum that honors the history of sport fishing and its legendary anglers.
In 1989, Young At Art began as a small, 3,200-square-foot children’s museum dedicated to shaping young minds and enriching the community through the transformative power of art. Since then, the tiny workshop has grown into a 55,000-square-foot collection of activities celebrating the diverse influences of art on our lives and imaginations, garnering a rare accreditation by the American Association of Museums for its efforts. At ArtScapes—one of the four main exhibits—kids and their parents travel through The Cave, a frantic slideshow of images conveying 5,000 years of human history, step into a replica of a New York City subway car, and view examples of graffiti as a means of creative expression against the oppressive forces of aluminum spray cans.
Elsewhere, WonderScapes transports children up to 4 years old to a world inspired by the illustrations of DeLoss McGraw, whose version of Alice in Wonderland won the Society of Illustrators Book of the Year award in 2002, and GreenScapes demonstrates the immutable intersection of art and the environment as visitors build sculptures from natural materials. Never ones to ignore their creativity, teenagers can find refuge in the Teen Center, where a graphic design lab with Mac computers and a recording studio let them convert their pre-calc homework into digital form before it’s too late.
The Wolfsonian of Florida International University displays an eclectic, singular collection of more than 120,00 North American and European artifacts from 1885 to 1945, all of which demonstrate how design has been influenced by cultural factors. Experience the collection as often as you choose with the unlimited admissions granted by membership. Members also receive invitations to members-only previews, 10% off museum shop purchases, and a variety of other benefits.
Contrary to the belief that Jewish immigrants began populating Florida in the aftermath of World War II, the very first Jewish settlers in the state arrived a bit earlier—almost 200 years earlier, in fact. Spanish-controlled Florida banned all non-Catholic religions, but England's 1763 purchase of the land was followed shortly by the arrival of Alexander Solomons, Joseph de Palacios, and Samuel Israel—and a new heritage was born. Today, the Jewish Museum of Florida – FIU celebrates this rich legacy and its impact within the larger Jewish community with a core exhibit brimming with more than 500 artifacts that span over 250 years.
In "Mosaic: Jewish Life in Florida," visitors will find relics such as a pocket watch owned by the first known Jewish boy born in Florida, a Purim party dress made for the Jacksonville YMHA in 1918 out of Floridian seashells, and the ketubah from the marriage of Margaret Fishler and Joel Fleet in 1940. Family photographs, immigration papers, and travel documents record the rich tradition of immigration, and images from wars dating back to 1815 evince the ongoing role Jewish residents have played in American history. In the building's community section, guests learn about more than 250 mayors, legislators, judges, and activists, including David Levy Yulee, the first Jew elected to Congress and the man who ushered Florida into statehood. Elsewhere in the museum, temporary exhibits might spotlight contemporary Jewish artists, Jewish rituals, or profile a prominent family. The museum is housed within two refurbished synagogues connected by the glass-roofed Bessie's Bistro, which serves snacks in the cheerful spirit of its namesake, Miss America 1945, Bess Myerson.
Arthur Stone spent six decades assembling the collection of classic Packard autos that makes up the Fort Lauderdale Antique Car Museum. His love for the Packard's combination of engineering and elegance has resulted in the United States' largest Packard collection, containing one model from each year of the company's 58-year existence. The museum's 30,000-square-foot space mirrors the look of a 1920s Packard showroom, with heraldic-style gas-station signs hanging above gleaming specimens of auto history, all restored to full working order.
Models such as the 2201 Woodie wagon from 1948 demonstrate the manufacturer's innovation amid changing times, and the 1909 18 Speedster evokes an era when saddled cheetahs shared roads with cars. Original concept-design drawings line the walls, and an expansive library contains shelves laden with periodicals and fascinating reading materials.
Listed in the National Register of Historic Places and located in the heart of the city, Stranahan House stands as one of the few remaining shadows of Fort Lauderdale’s pioneer heritage. The house was constructed in 1901 by the eponymous Frank Stranahan as a trading post for early settlers, native Seminole Indians, and the now-extinct verbose alligator. After the burgeoning town appropriated it for use as a post office, town hall, and more through the decades, historians painstakingly restored it to its 1913–1915 glory. On three daily tours lasting 45 to 60 minutes, expert guides lead local history buffs through its rooms, detailing the house's multitudinous uses, showing off its Victorian furniture, and offering a glimpse into the vernacular architecture of the bygone era.