In the evening, Grand Restaurant/Lounge caters to the foodie set, serving upscale bar food amid elegant minimalist decor. Later at night, an array of colored lights begins to glow beneath stairs, along windows, and in the eyes of visiting Terminators. DJs crank up the volume while bartenders sling cocktails below supernova-like chandeliers, but intimate clusters of armchairs provide a respite from the carnival on the dance floor. As they lounge, diners can savor dishes such as lobster ravioli or burgers topped with deviled eggs or fig-balsamic glaze.
Stamford's Palace Theatre's opened its doors in 1927 as a 1,580-seat vaudeville house, designed by acclaimed architect Thomas Lamb. In 1983, the venue began a new life when crews rehabbed the building and live performers once again graced the s
A soulful songstress that dabbles in a mishmash of classic American musical genres, Joan Osborne blipped onto the nation's radar more than 15 years ago with the hit "One of Us" and remains steadfast well into the millennium. Immerse inner ears in an intimate acoustic set featuring Joan's pianist pal Keith Cotton and special guest Jeffry Braun. For this concert, The Ridgefield Playhouse will feature a complimentary preshow hors d'oeuvres spread from 7 p.m. to 8 p.m. and a full bar stocked with buyable libations. Groups should call ahead to reserve blocks of seats.
Inspired by acts in Las Vegas and around the country, entertainers and pianists cover rock classics on twin grand pianos at Ha! Comedy Club's weekly Dueling Pianos extravaganza. From 10 p.m. to 2 a.m. on Friday and Saturday, dueling performers tickle the ivories and—when competition becomes especially fierce—each other, fielding crowd requests for pop favorites from the 1960s through to today. Musicians such as Mark Rivera, saxophonist for Billy Joel, join in the fun on stage as the kitchen and full bar keep the audience nourished with snacks and libations.
Hosting the evening's set, the historic Gramercy Theatre first opened its doors in 1937 and spent some 60 years as a movie palace and art house. Now wedged between two skyscrapers, it still retains some art-deco columns and flourishes striped into its façade. Inside, an intimate main room shares space with the eclectic Samsara Lounge where persian rugs and funky wall art imbue audiences with a rock 'n' roll spirit and inspire the spontaneous formation of nomadic tribes.
Founded smack-dab in the middle of Chester A. Arthur's presidency, The Metropolitan Opera has been a vibrant cultural center for more than 130 years. The Met's accomplished conductors, performers, and composers form a who's who of opera?Arturo Toscanini and Gustav Mahler are among them?and they've premiered some of history's most remarkable works, including those by Wagner and Puccini. The current music director, James Levine, has steered the ship since 1976, witnessing not only the birth of groundbreaking works by Philip Glass and Tobias Picker, but also the creation of new opera fans across the country. In 1977, a televised performance of La Boh?me reached more than four million people, leading to regular broadcasts and HD screenings in movie theaters.
Since 1966, the Met's performers have sent their voices soaring in one of the world's most stunning opera houses, designed by architect Wallace K. Harrison. Past the lobby's two towering Marc Chagall paintings, twinkling Viennese chandeliers light the way to nearly 4,000 seats. There, the auditorium's timeless design blends seamlessly with technology: on each seat back, a small screen displays simultaneous translation through the company's unique Met Titles system, granting audiences the chance to follow the libretto in English, Spanish, or German.