With a history stretching back more than 40 years, Circus Vargas wows audiences with dazzling acrobatics and rib-tickling clowns under a giant big-top tent. The show eschews animal performers for human-costumed spectacles, showcasing dazzling feats that only a few dexterous humans and short-circuited cyborgs are capable of. The circus's big top, hand-fashioned in Milan from 90,000 square feet of fabric, holds up to 1,500 show-goers in classic, blue-dyed elegance. Early-arriving guests can take part in an interactive preshow, jumping in the ring with ringmaster Jon Weiss as he leads audience members through tutorials that show how to perform stunts such as juggling, feather balancing, and balancing checkbooks with quill pens.
In the award-winning one-woman show Golda's Balcony, four-time Tony-nominee Tovah Feldshuh portrays former Israeli Prime Minister Golda Meir and the endless struggle for peace in the Middle east. For Dancing on Ice, winter sport enthusiasts can get an intimate view of skating celebs as tango, swing, waltz, and solve algebra equations on the center ice. A recent $6.7 million renovation equipped the Chandler Center with refurbished seating, increased accessibility, a stage makeover, and an unmistakable new theater smell. See the Chandler Center's online calendar for more information about each show.
The spirit of Tchaikovsky guides Moscow Ballet’s professional ballerinas as they leap and pirouette against nine handpainted backgrounds that invigorate his spirited score in time for the holiday season. The Great Russian Nutcracker reintroduces audiences of all ages to young Masha, whose taste for adventure rivals her magical wooden doll’s legendary aversion to chestnuts. Dancers fling themselves across the stage in grand jetés as the curtain opens on Moscow’s iconic skyline, which gives way to a spooky dreamland as the Mouse King rears his fuzzy head to stir up mischief. Audiences gasp as legions of mice capture Masha’s strong-jawed companion and carry him away in front of a lavishly decorated Christmas tree that grows to a height of more than 60 feet and a population of more than 600 squirrels. Live orchestral accompaniment blares during the ensuing battle and ushers the action into the enchanted land of the Sugar Plum Fairy in the ballet's second act.
Spinning fire creates a haze of smoke. A giant dances through it. There's no stage around, no velvet seats to remind audiences they're watching a show, so the scene feels like hallucination, or like a portal has opened up and granted eyes a glimpse into another realm. And such is the effect Flam Chen has sought to create for nearly 20 years. Through pyrotechnic displays tinged with technology and made more daring with acrobatics, the circus troupe's performers create a dramatic playground where dark and light forces—at once human and animal—feed off each other.
Outside of performing a dozen original shows across the globe, the troupe performs custom performances for public causes and private commissions. Their theatricality has attracted the attention of masters of spectacle such as Tim Burton and Stan Lee, and made them shoe-ins to serve as the flyers during the Scream Awards. Yet their performances have also served a greater good: they've raised funds for local charities and communities, and worked with the non-profit Many Mouths One Stomach to create public celebration and ceremony.