The Phoenix New Times pick for Best Rock Club in 2010 and 2011, this live-music venue draws crowds that huddle around indoor and outdoor stages to groove and wail every night of the week. Concerts and festivals stage local bands, indie rockers, and national acts playing genres ranging from bluegrass and reggae to jam music and rock 'n' roll. Amid the big-name acts, the house upholds beloved traditions; Grateful Dead fanatics and people with tie-dyed flesh emerge to party on Sunday nights, and each Thursday, burgeoning starlets perform karaoke with the support of a full live band. Beside the outdoor stage, a spacious patio facilitates mingling under the sky's star-freckled firmament. At the indoor bar, barkeeps fill glasses with mixed drinks and brews while colorful lights flash against walls. Black leather couches and huge art canvases line the lounge area, and a dance floor carved before the stage affords up-close views of the passport stamps canvassing rock star's wrists. AZCentral noted: "Not far from Mill Avenue, the Sail Inn offers a whole different scene, with a cool vibe and laid-back people."
The first thing people notice about Circus Vargas is its big-top tent. Hand-fashioned in Milan from 90,000 square feet of cerulean-blue fabric dotted with yellow stars, the canopy completed the illusion of an elegant lost era when used in the 2011 film Water for Elephants. The last thing people notice is the absence of animals. They're too busy gaping at a man balancing a 12-step ladder with his mouth.
Keeping its marvels strictly human, Circus Vargas builds on a 40-year history by blending classic feats of fearlessness with surprising new tricks. The show features magic tricks along with a skilled hand balancer, a speed juggler, and the wheel of destiny.
A sprawling mandala design covers the floor of Plaza de Anaya's main dance studio, welcoming dancers in with warmth and beauty. Amid that artistic setting, seasoned instructors teach dance styles from around the world that include belly dancing, barefoot flamenco, and anaya tribal dancing. Cultural gatherings are an important part of the school's community, which is why the studio also schedules an array of monthly events and workshops that might be dance-based or include henna tattoos that dance when you pinch them.
Voted Best Children’s Theatre in 2010 by the Phoenix New Times, the Childsplay professional theater company delights young audiences and families with awe-inspiring, imaginative productions. The 2010–11 season welcomes to the stage Mary Norton’s classic The Borrowers, an enchanting story of a tiny family living under the floorboards that survives by nipping things from unsuspecting "human beans." The lonely protagonist, Arrietty, ventures upstairs in search of friends and finds a thrilling new world that is also full of excitement, danger, and runaway dust-ball boulders. Peeping youngsters will have their minds tastefully blown away by the creative use of shadow puppetry used to highlight the scale of the two different worlds and the Victorian science-fiction look and feel of the sets and costumes.
Today's side deal slides your funny bone a tall, calcium-rich glass of milk. For $10, you get one ticket (a $20 value) to see acclaimed joke-jockey Marc Maron fling cutting witticisms and acerbic satire from the stage of MADCAP Theaters in Tempe. Arrive 30 minutes before the show to pick up your tickets at the will-call area.
Canadian electrofunk duo Chromeo exhales party-starting inertia, kicking off its Night Falls Tour by rolling out a carpet of dance-floor passports. Melding the talents of guitarist, vocalist, and French-literature buff Dave 1 with the dexterous fingers and throwback savvy of synthmaster P-Thugg, Chromeo has earned reverence from funkophiles for its slick grooves and mastery of jam architecture. Fans can expect congenial beats, riffing Moogs, and song craft that father-and-son yachts can enjoy together in support of the band's latest album, Business Casual. Inflating the soulful evening, singer, producer, and multi-instrumentalist Mayer Hawthorne channels wandering Motown spirits with a retroactive Detroit sound, and French funk enthusiast Breakbot sets the scene with genre jumping and remixes that rumble like tubas in a Cuisinart.