Fresh bagels with cream cheese and café drinks are just a few specialties available in the mornings at Cafe Sol. Later in the day, cooks prepare roast beef sandwiches with provolone cheese and au jus, BLTs with avocado, and other satisfying handhelds.
Reviving jaded posses of Tucson tongues with its traditional cuisine, La Fuente Restaurant is a Southwestern outpost for friendly service and live-strummed dinner music. The vast menu offers shareable starters such as the sour cream-flanked cheese quesadillas ($8.99), as well as hearty specialties like the mole poblano, a chicken breast simmered in the semisweet chocolate-chili sauce that cowboys once used primarily as mustache wax ($16.99). Dinner combos eliminate the burden of choice and are served in full-flavored configurations like beef taco, beef tamale, and cheese enchilada ($11.99), or a small eatable army of beef or chicken gorditas ($11.99). Meat-free options abound for green-mouthed plantavores and include a veggie burrito ($12.99) and spinach enchiladas ($11.99 for two).
By hosting haunted houses and spooky events, The Slaughterhouse has raised more than $40,000 for organizations such as the American Diabetes Association. Visitors interested in befriending the venue?s mischievous specters can embark on ghost tours, which explore the premise?s haunted depths. Alternatively, on-the-go partiers can select from a rental fleet of trailers packed with haunted-house-style frights or sound-system-equipped hearses, ideal for proving coolness to judgmental teenage vampires.
In its second season, the Tucson Fringe Festival perpetuates its mission to "make the world more welcoming to artists," as its cofounders proudly proclaimed last year to Tucson Weekly. This year's five plays take the stage 15 times at two intimate venues for stories that skewer society, glimpse into the future, and blend drama with live music. Lethal Fairy Tales delves into American pathology in a journey soundtracked with original music by local musicians Fish Karma and the Love Generation. Playwright Joan O'Dwyer's Unreality Shows: Three Short Plays takes audiences through a triptych of bizarre situations, from a cancer support group to a dystopian matriarchy. Performers from diverse corners of the theater landscape also take on corporate culture in The Starter House, shamanic self-knowing in Numb, and the corruption inherent in big vaudeville in the musical celebration The Barely Free Baja Spectacular!.
Harlem Globetrotters Playing Three-on-Five
Since forming in the 1920s, the Harlem Globetrotters have continued to entertain millions of parents, children, and general basketball admirers with a trademark blend of athletic precision and razzle-dazzle showmanship. For the team's 2014 tour, a rotating [roster](http://gr.pn/PHdb6w) of Globetrotter favorites?including three female players?takes to the hardwood each game. Spectators might spot veteran guard [TNT](http://gr.pn/rOe0P4) sharing a behind-the-back pass with dunker [Quake](http://gr.pn/QTIGVh), whose high jump once cleared 7 feet, cruelly dashing his dreams of working in a ceiling-fan store. The Globetrotters might also present a study in contrasts with 5-foot-2 [Too Tall](http://gr.pn/PHdmPh) and 7-foot-4 [Stretch](http://gr.pn/1dYrbUt), the team?s tallest member. During each Globetrotters game, youngsters laugh along and witness the jovial jocks performing classic routines of unconventional passing and sudden transmutations of water into confetti. To infuse their visits with an extra shot of unpredictability, the Globetrotters also let fans in each city vote on special rules for every game; past rules have included the use of a four-point shot and the installation of a penalty box. Over the years, similar antics have followed the Globetrotters around the world, including to 122 countries and territories and all six continents on which basketballs grow naturally. The Globetrotters? extensive travels haven?t gone unnoticed: they?re one of the few teams to earn a spot in the Naismith Memorial Basketball Hall of Fame as ambassadors of the sport.
Under the baton of conductor George Hanson, the TSO's string, brass, and wind ensembles will kick off the concert series with Stars of the Symphony, which showcases a glittering array of chamber gems that culminates in Handel's jubilant Concerto Grosso, Op. 6, No. 12 in B minor. Marvelous Mozart celebrates the genius of Mozart in non-synthesized fashion with his instantly recognizable "Eine kleine Nachtmusik" before closing with the graceful complexity of Wolfgang Amadeus' Symphony No. 40 in G Minor, which he composed shortly after springing fully formed from his father's head. Schumann Romance focuses on the husband-and-wife team of Robert and Clara Schumann, particularly Robert's famous Overture, Scherzo & Finale, Op. 52 and piano concerto. Pianist Elizabeth Joy Roe will juxtapose Robert's energetic concerto with Clara's more playful, elegant Piano Trio in A Minor. The season closes with Virtuoso Violin & Haydn as concertmaster Aaron Boyd dazzle audiences with the soaring stringsmanship of Beethoven's Coriolan overture, Vieuxtemps' brilliant Violin Concerto, and Haydn's joyous 92nd Symphony (the Oxford).