Picasso. Matisse. Grandma. Regardless of the artist, Borealis Arts treats each piece like a priceless heirloom. Its Borealis Arts' continued dedication to the high-quality work that they produce that enables them to celebrate their fifth anniversary in business this month. Though much of the frame shop's handiwork can be found in museums, customers don't need to buy a ticket to get a look at Borealis Arts' resumé. They need only step inside the store to find walls lined in local artwork, including prints made using woodcuts or acrylic engravings. All the artwork is framed, of course, by the staff's preservation experts. The skilled framers use museum-approved techniques and computer-aided mat cutting to protect family portraits, precious artwork, and 3-D items, such as a trophy or the family's ancestral garden gnomes.
As they enter the massive brick building, visitors pass the Watercarrier, a curved bronze statue that lends a first glimpse at a staggering collection of ancient and modern Native American works. Established in 1893, the Arizona State Museum celebrates and records Southwest Indian cultural history with more than 3 million objects, including a collection electrified with more than 25,000 pieces of woven basketry, more than 300,000 catalogued archaeological artifacts, 500,000 photographic negatives and original prints, 90,000 volumes of rare titles, 6,000 maps, 1,500 feet of archival documents, and more than 1,000 sound recordings. The collection forays out onto the museum floor in exhibitions such as Ancient Architecture of the Southwest, where striking photographs frame some of the crumbling archaeological ruins of 1,000-year-old cliff dwellings set against a rugged desert landscape while tastefully photoshopping out the ancient satellite dishes. The Pottery Project spans 2,000 years of Native ceramics with more than 20,000 whole pieces and a lab for hands-on pottery testing. Using artifacts, life-size dioramas, and film, Paths of Life explores the history and contemporary lifeways of ten Native cultures, including those of the Yaqui, O?odham, Apache, Navajo, and Hopi.
Museum staff further engage visitors in events that range from talks with museum curators and Native artisans to learning expeditions, which invite guests to tag along with museum and university archaeologists to survey nearby sites, immersing them in the scientific dig experience nearly as effectively as watching Indiana Jones with your nose to the screen. Educational outreach for public-school and university students immerses them in camps and workshops. At the Native Goods museum store, visitors browse a stock of books alongside basketry, jewelry, carvings, and textiles crafted by artists from Yaqui, Hopi, and other nations.
In 1975, Jay Kogan's parents opened up a store that was literally a hall of frames—just a small store stacked with thousands of frames. At the time, they had no idea that that tiny corridor would expand to 12 locations throughout the greater Phoenix area, all still run by the Kogan family. Today, their shops have more than 4,500 custom frame options along with mats of all colors and textures, as well as seven glazing choices and expert assembly. They can answer framing questions and frame everything from documents and artwork to posters and small 3-D objects such as sports memorabilia and very still grandmothers.
When they custom-produce frames, the family cuts their mats exactly, miters frame corners precisely, and installs flawless glass. Or, since the stores' walls are lined with ready-made frames, customers can walk in and find what they're looking for quickly. Since installing framed art is an art unto itself, they also offer hanging services with an eye for placement and ability to install in difficult spaces.