Within the century-old confines of Uptown Glassworks' warehouse, furnaces melt handfuls of kaleidoscopic frit into malleable shapes manipulated by a team of professional glass blowers. But these tradesmen don't just create works for the gallery; they also share their secrets with students in a variety of activities, from introductory courses on making beads and paperweights to advanced instruction that can be applied toward college credit or used to fix the pockmarked walls of glass houses.
During the shop's Blow-Your-Own sessions, participants apply color to clear, molten glass that has recently emerged from a 2,000-degree furnace, then blow their mixture into 1 of 20 different shapes. The next day, patrons can pick up their cooled and packaged creations, comparing their handiwork to the gallery's collection of products, which are made by more than 90 local and regional glass artists.
In the 74 years between the Paramount Theatre's opening night, when people used to line up to see “talkies” for 50 cents, and 2002, when it was voted Best Mainstage Theatre in a Seattle Weekly Reader's Poll, the palatial venue faded and decayed alongside its Roaring Twenties brethren throughout America. Luckily, former Microsoft Vice President Ida Cole saved it from the rubble heap in the mid-‘90s when she established the Seattle Landmark Association and vowed to render the Paramount "kissable" once again.
Over the course of seven months, the renovation crew expanded the size of the stage wings to accommodate more ambitious live productions. They also cleared decades of grime from the french baroque plaster reliefs, uncovering long-forgotten designs and causing only one long-dormant horror to snap open its eyes dramatically. They also replaced the gold leaf in the floral designs of the wall medallions, repainted all the surfaces in their original 16 colors, and scrubbed each of the 1.6 million crystal beads in the chandelier by hand with a toothbrush. The original Knabe Ampico player piano was returned to its spot on the four-tiered lobby's lush carpeting, and a 21st-century sound system now shares sonic space with the thundering, luminous sonority of the Paramount's fully restored Mighty Wurlitzer organ. Though the Paramount's calendar runs the gamut from rock concerts to standup comedy to Broadway musicals on the scale of Wicked, its decadent Beaux Arts trappings transport audiences to the days when reality was still black and white.
Onlookers gasp as the graceful figure tumbles to earth in a slow-motion plunge. Her strong legs twist and spin down a billowing swath of deep-red fabric like a spider expanding its web. It is awe rather than fear, however, that draws the crowd's gasps, as the elegant descent is performed as a demonstration by one of Emerald City Trapeze Arts’ skilled instructors during a silks class. A dedication to teaching students of all ages and abilities the skills necessary to capture both the beauty and athleticism of the circus arts is the studio's main mission, upheld by a cadre of circus-grade instructors and a friendly staff.
Below the soaring ceiling of exposed old-growth beams, students leap and balance on well-maintained circus apparatuses as their instructors correct their form and ensure their safety. The staff welcomes aerial enthusiasts to experience the sky-splitting thrills of all manner of circus specialty, from the flying trapeze to acrobalance to hatha yoga performed on the top of an elephant's stiletto. Along with high-flying classes, Emerald City Trapeze Arts’ crew celebrates the circus arts via dances and parties held within the whimsical-yet-rustic venue, from merriment-packed Halloween festivities to energetic performances by staff and students.
Founded by movie-industry veterans Scilla Andreen and Carlo Scandiuzzi, IndieFlix culls a massive collection of independent and festival-selected films from across the globe into a convenient online streaming-video library. Filmmakers can submit their comedic, dramatic, or documentary masterpieces to the site, which fairly distributes movies of all genres and lengths, with artists fully retaining their films' rights and action-figure tie-ins. Audiences delve further into IndieFlix’s arsenal of cinema gems with Film Festival in a Box game—lauded by the New York Times, the Chicago Tribune, and Seattle magazine—which allows cineastes to display their knowledge without having to stroll through the local megaplex with a megaphone.
For over a century, the Seattle Symphony has built its audience and enraged Rumpelstilskins with an ever-growing collection of accolades and golden awards. Two Emmy-winning television specials stand out among a list of credentials that also includes 12 Grammy nominations and upward of 140 recordings. The orchestra continues to live up to its esteemed reputation thanks to new principal pops conductor Jeff Tyzik who has been hailed, "Among the best pops conductors in America,” by Rochester Democrat & Chronicle. He has also been recognized as an innovative conductor through his startling arrangements, original programming, and engaging rapport with audiences of all ages. The symphony is also well known for performing classical juggernauts such as The Rite of Spring as well as more whimsical nights of jazz standards.
The name means "the intimate" in Swedish, and it's a name that fits. Whether it's a production of a American classic, a world masterpiece, or a bold new work, shows at the Intiman aim to close the gap between performer and audience for an immersive experience. Founded by Fulbright Scholar Margaret Booker in 1972, the Intiman Theatre has developed a reputation for excellence with its impeccable stagecraft and contributions to the community, even winning a 2006 Tony Award for Outstanding Regional Theatre. And, serving as the crown jewel in a crown full of achievements, the Intiman was also the very first regional theater to stage a production of the Pulitzer Prize-winning Angels in America saga.