Within the century-old confines of Uptown Glassworks' warehouse, furnaces melt handfuls of kaleidoscopic frit into malleable shapes manipulated by a team of professional glass blowers. But these tradesmen don't just create works for the gallery; they also share their secrets with students in a variety of activities, from introductory courses on making beads and paperweights to advanced instruction that can be applied toward college credit or used to fix the pockmarked walls of glass houses.
During the shop's Blow-Your-Own sessions, participants apply color to clear, molten glass that has recently emerged from a 2,000-degree furnace, then blow their mixture into 1 of 20 different shapes. The next day, patrons can pick up their cooled and packaged creations, comparing their handiwork to the gallery's collection of products, which are made by more than 90 local and regional glass artists.
The Seattle Majestics, of the Independent Women's Football League (IWFL), are a professional organization based in Seattle, Washington and are the premiere women's tackle football team in Washington State. They play 11-on-11, NFL-style tackle football against teams nationwide.
The group formerly known as Musicians Emeritus Symphony Orchestra haven't changed their mission—they've just dropped a few syllables. Under their new moniker, they continue to tunefully bow, blare and percuss their way through polished programs that celebrate the joy of performing. Music Director Anna Edwards leads the musicians—who range in age from teenagers to nonagenarians—as they sonically tear into timeless pieces and new compositions alike.
Onlookers gasp as the graceful figure tumbles to earth in a slow-motion plunge. Her strong legs twist and spin down a billowing swath of deep-red fabric like a spider expanding its web. It is awe rather than fear, however, that draws the crowd's gasps, as the elegant descent is performed as a demonstration by one of Emerald City Trapeze Arts’ skilled instructors during a silks class. A dedication to teaching students of all ages and abilities the skills necessary to capture both the beauty and athleticism of the circus arts is the studio's main mission, upheld by a cadre of circus-grade instructors and a friendly staff.
Below the soaring ceiling of exposed old-growth beams, students leap and balance on well-maintained circus apparatuses as their instructors correct their form and ensure their safety. The staff welcomes aerial enthusiasts to experience the sky-splitting thrills of all manner of circus specialty, from the flying trapeze to acrobalance to hatha yoga performed on the top of an elephant's stiletto. Along with high-flying classes, Emerald City Trapeze Arts’ crew celebrates the circus arts via dances and parties held within the whimsical-yet-rustic venue, from merriment-packed Halloween festivities to energetic performances by staff and students.
Thalia, one of the Greek muses said to inspire artists, must have paid Seattle a visit in 1949. That's when Mikael Scheremetiew—himself a violinist and conductor—established the Thalia Symphony Orchestra and named it for that mythic figure. Scheremetiew's wish was to give fellow local musicians another creative outlet, and it was more than granted. After a brief flirtation with opera, the organization devoted itself to music, and the aural tradition continues today.
The modern iteration of the orchestra, headed by new conductor Michael Miropolsky, features 80-plus instrumentalists, a core group frequently joined by noted soloists. The ensemble regularly performs unique concerts showcasing the work of composers united by common themes—a Tchaikovsky suite might share billing with a Dvorak symphony, while a Wagner overture could be accompanied by Schubert's latest remix. The orchestra's access to such a wide range of works is partially afforded by its Thalia Scheremetiew Library, one of the largest private music collections in the region.