Longview Museum of Fine Arts seeks to expose the local community to art through its collection of more than 400 works including paintings, etchings, photographs, collages, and sculptures. The permanent collection primarily focuses on works from regional artists, and the museum's galleries also host traveling or temporary exhibits six times per year. Outside, visitors can tour a sculpture garden with rotating featured pieces.
The halls of the Marjorie Lyons Playhouse are decked in bows of sarcasm as David Sedaris’s sardonic diatribe The Santaland Diaries fills mature audiences with Yuletide cheer and apropos humbug. Adapted from Sedaris’s popular irreverent essay, the play features actor Luke Thomas Eddy embodying the foul mouth and uncomfortable shoes of Crumpet the Elf during a scintillating one-hour, one-man performance. Tearing at a famous department store’s holiday façade like a grizzly bear rudely woken up from hibernation, Crumpet reveals the sordid lives of Santa’s little helpers as they endure the side effects of the holidays. Chock-full of one-liner chestnuts and hilarious humiliation, the show ensures audiences howl with empathy as the embittered elf rants against baffled tourists, entitled parents, and the anti-elves known as children. Like standing under sulfuric mistletoe, The Santaland Diaries gives the season both a heartfelt kiss and a swift kick in the chimney.
Hands-on exploration of science, mathematics, and space travel awaits within more than 290 exhibits at Sci-Port: Louisiana's Science Center. The 92,000-square-foot nonprofit museum is divided into nine galleries, where visitors can play 3D versions of tic-tac-toe, try on a spacesuit, and even pretend-land a space shuttle inside a simulator. Roaming the galleries, meanwhile, Sci-Port's science-savvy demonstrators invite guests to help them with activities such as dissecting sharks or dissecting all the plot holes in Jaws.
The museum also hosts myriad events throughout the year, from science-of-mixology sessions for adults to famous-scientist "birthday parties" where kids can swap scientist-themed trading cards. Even more scientific enlightenment can be found in Sci-Port's IMAX Dome Theatre and Sawyer Space Dome Planetarium, which show films on subjects such as the human body and the sun, respectively.
On a single day in the middle of World War II, actions in three isolated incidents represent an ethical lesson taught to this day at the Dallas Holocaust Museum. On that day—April 19, 1943—three Belgian men attacked a train destined for Auschwitz, freeing its passengers; the occupants of the Warsaw Ghetto united in revolt; and at the Bermuda Conference, officials from the British and American governments declined to take action against ongoing atrocities in Europe. The Dallas Holocaust Museum’s main exhibit locates a crucial distinction in presenting these three events: the difference between "bystanders" and what the museum calls "Upstanders." The exhibit was created in the hopes that every visitor would become an "Upstander," moved not only to remember a horrific past but also to take action when faced with modern threats to human rights.
A self-guided audio tour relates the heroism of those who stood up on that date in 1943 as museum guests explore artifacts, photographs, and a full-size boxcar. Special exhibits that often focus on photography supplement the permanent installation, and testimonies from volunteer survivors and liberators provide a firsthand perspective on the historical tragedy and its lessons. Along with exposing more than 30,000 students and 22,000 walk-in visitors to its messages annually, the museum advocates engagement with the world through educational programs designed for everyone from educators to law-enforcement officials.
There was a time when looking down the barrel of Clyde Barrow's gun wouldn't have seemed too appealing. But now people visit the second floor galleries of the Old Red Museum of Dallas County History & Culture just to get a glimpse of the infamous weapon, which shares space with more than 1,000 other artifacts, including the first traffic light in Dallas County and handcuffs worn by Lee Harvey Oswald. Taken together, these artifacts trace Dallas County's past from prehistory to the present day, a timeline visitors also explore via the museum's 41 touchscreen computers, four mini theatres screening specially commissioned films, and hands-on activities on topics such as architecture and pioneer life. More hands-on activities await in the education center, where youngsters learn about their local heritage thanks to exhibits on Dallas County children.
Housed in the Old Red Courthouse, a restored Romanesque building from 1892, the museum is practically a large-scale exhibit unto itself. Its many architectural flourishes include a four-story grand staircase, a restored clock tower, and two original stained-glass windows from the courthouse's original collection of more than 100. Tours of all four floors grant visitors access to areas not otherwise open to the general public, including the courtroom and the judge's tightly guarded gavel shed. The historic building makes a fitting setting for the special exhibits that grace the first floor gallery several times a year.
While strolling the halls of Madrid's famous Prado Museum in the 1950s, Texas oilman and philanthropist Algur H. Meadows fell in love with the rich tradition of Spanish art. Gradually building a collection of Iberian masterworks from throughout the centuries, Meadows helped found his eponymous museum to house and display the art. Now among the largest collections of Spanish art outside of Spain, the Meadows Museum surrounds visitors with masterpieces from the 10th century through the 21st. The collection's highlights include Goya's darkly evocative Yard with Madmen, Picasso's patchwork Still Life in a Landscape, and Míró's colorfully surreal Queen Louise of Prussia.
Outside the museum's elegant colonnade, an encircling garden recalls Renaissance palaces with manicured bushes, stately gravel paths, and feral court jesters. Beautiful sculptures by modern greats fleck the garden, with such pieces as the 13-foot, wireframe head Sho, by modern Spanish sculptor Jaume Plensa. Below the plaza, Santiago Calatrava's monumental Wave dominates the approach to the museum, with gently undulating iron beams, suspended over a serene reflecting pool that will itself never know the joy of forming a wave.