Joel Marion first cultivated his creativity while enlisted in the Air Force and working as a photojournalist. He taught himself the complexities of shutter speed and f-stops through trial and error. Through his company—Joel Marion Photography—the autodidact has become one of the fortunate few whose avocation becomes their vocation, unlike Michael Jordan, who longed to dunk donuts instead of basketballs. Throughout his career, he has worked in fashion and advertising in St. Louis. By working with area clients for more than 30 years, Joel brings an experienced and creative approach to family, baby, high-school senior, and head-shot portraits. His wife Carol manages the studio while Joel's design and Photoshop specialist, Kelly Tucker, helps their clientele create aesthetically pleasing compositions.
Eleven Fourteen Photography's crew pours its passion for boudoir photography into each meticulously composed shot. Photographer Chaz Murphy collaborates with his clients for sultry photo shoots that exude their distinct personalities. His shots skew toward the sexy, but he's happy to stray outside the conventional strictures of boudoir photography. In addition to shots of subjects in lingerie, he also captures flirtatious images of them in bathing suits, wedding dresses, or everyday outfits, depending on their preferences.
Named the city’s best portrait-photography studio by CityVoter in 2010, The Studio—a full-service portrait studio—maintains a separate department dedicated to boudoir photography. The studio’s three female photographers have worked together for more than a decade, helming tasteful yet sensual shoots for women of all ages and body types. Subjects can pose in outfits ranging from delicate lingerie sets to corsets, nighties, or artfully draped men’s shirts; licensed makeup artists and hairstylists finish off looks with custom touches that range from a natural, girl-next-door vibe to a dramatic, girl-from-Valley of the Dolls look. For outfit changes, subjects can return to the studio’s private dressing room, and after shoots have concluded, they can sift through their finished images in a separate viewing area.
Led by Lou and Karen Ravetta, Ravetta Photography's family of artistic shutterbugs has captured the beaming faces of individuals, families, and couples since 1976. Whether on location or beneath the controlled lights of their studio, the photographers work to preserve memories in styles that include photojournalistic, black and white, and the less popular white and white. They focus their lens on high-school seniors, weddings, and children, designing personalized photo books that stylishly showcase each image. Additionally, Ravetta Photography's staffers man photo booths that let party guests run through all of their brains' pre-programmed facial expressions at events.
Before looking through the camera lens, the expert photographers at Picture People spend time getting to know their subjects and establishing a strategy for conveying their personalities in print. Then, film-ready clients pose in the bright camera room, airing teeth amid colorful backdrops and creative props. Following snapshots, subjects make their way to the selection station to choose their favorite poses from their session, which may be treated with sepia tones, color accents, and decorative borders to suit any wall, wallet, wallpaper pattern, or trophy walleye.
Picture People offers a variety of creative tips to help enhance mantel-dominating final results. The studio ensures satisfaction with a 100% guarantee on finished products.
Capturing True Emotion is driven by a dynamic band of instructors who rove across the continent with cameras and teaching skills in hand. By fusing their narrative, tech-savvy minds together into one oversize head, the educators provide comprehensive guidance on both camera operation and creative visualization, giving participants complete control over all of their camera settings. During the hours spent in the company of other pupating shutterbugs, students convene at a tantalizing location to practice skills such as controlling depth of field by adjusting the aperture, composing a family portrait so there's not always a burning zeppelin in the background, using alternative angles to avoid red eye, and other techniques.