Flying chromatic spheres splatter across the turf and cover of Midway Paintball's six fields situated on 22 acres of woodlands and open spaces. Protective rental gear and paintball markers aid games of elimination, capture the flag, and save the king. The western field's buildings shelter tactical retreats, and the hyperball field's huge prone cylinders of corrugated piping allow for cat-like surprise attacks or intimidating sudden naps. Dotted with inflatable cover, the astroturf-covered NPPL?regulation field presents an ideal arena for professional-grade matches.
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Renowned Cuban trumpeter Arturo Sandoval, who has received four Grammy awards and six Billboard awards, lacquers his audience's eardrums with genre-hopping performances that range from classical to bebob. After mastering the classical style during the beginning stages of his career, Sandoval repurposed his horn for jazz, using the valves to create improvisational glissandos and adding a Mustang-V8 engine to the bell. Revel in the expansive soundscape as he exemplifies these jazz chops and peforms an eclectic range of other tunes, including Afro-Cuban creations inspired by his homeland and some of Mozart's concertos. Unsatisfied with relying upon just a single instrument, the artist will also tickle the piano keys and flugel-horn valves, which yield much nicer sounds than tickling a bobcat.
After three decades as lead singer of renowned progressive-metal band Queensrÿche, Geoff Tate shows fans a strummier side on his West Coast acoustic tour. Tate turns his mellifluous pipes on an unplugged set that includes songs from his 2002 self-titled solo album, Queensrÿche classics, and Andrew Lloyd Webber favorites. The stripped-down style brings Tate's famously brooding voice and complex melodies, along with a less expected sense of groove, to the fore. The show opens with an acoustic trio led by special guest Jaime Kyle, who has written songs for luminaries including Faith Hill. Originally a movie palace, the art deco Uptown Theatre Napa evokes the splendor of Hollywood's golden age, and the auditorium's 860 plush seats keep guests comfy during concerts and postshow discussions with ushers over the semantics of the phrase "you have to leave."
The Davis Musical Theatre Company, one of the longest running nonprofit amateur musical-theater companies in California, has packed nearly three decades’ worth of calendars with a host of notable Broadway favorites. The intimacy of its Performing Arts Center's 238 seats allows musical-theater fans of all hat sizes to absorb roaming melodies and soaring vocals without the obstruction of a cartwheeling Nathan Lane.
Goalgetters' seasoned, kid-minded coaches lead tots 3–9 in age-specific clinics, introducing them to the worldwide phenomenon of soccer and instilling life lessons such as sharing, sportsmanship, and teamwork. Classes, comprising 8–12 students, allow younger groups to get a feel for the most basic of skills and older pupils to run, kick, and electric boogaloo to the more advanced stylings of European and Brazilian small-sided soccer. In addition to imparting the fundamental concepts, the coaches ensure pint-size Beckhams receive a high percentage of contact with the polygonal orb as they buzz about the 3,200-square-foot indoor facility that offers protection from ball-snatching pterodactyls.
Touring behind their sixth album Dark Horse, Canada's grizzled guitar slingers, Nickelback, return to California to pummel rock fans with the band's signature melodic fist-pumpers and power ballads. Plop into the Sleep Train Pavilion's snug upper reserved seating and turn your ears toward the stage, where hugely popular hits like "How You Remind Me," "Photograph," and "Rockstar" slowly morph fingers into devil horns and stadium seating into a sea of artificial fireflies. Experienced producer Robert "Mutt" Lange (AC/DC, Def Leppard) lent his successful knob-turners to Dark Horse, which resulted in the band turning out an LP of edgier tunes that has remained in the Billboard Top 200 for 99 weeks. Stop by the pavilion early to prepare your palate with axe-shredding openers Three Days Grace and Buckcherry.