New Jersey Performing Arts Center stands firm as a bastion of live entertainment, opening the doors to its two distinct venues for a wide array of productions. Inside Prudential Hall, 2,700 seats fill the multitiered auditorium where ballets, symphony orchestras, and Broadway shows flourish beneath radiant lights and a domed ceiling. Victoria Theater, meanwhile, beckons visitors to its more intimate 500-seat confines for jazz concerts, contemporary dance performances, and monster-truck rallies.
For more than half a century the American Symphony Orchestra has hewn to founder Leopold Stokowski's original vision: "to offer concerts of great music within the means of everyone." That means its shows aren't just financially affordable, they're also demystified by conductor lectures and never held inside biodomes. In recent years, the organization has added a new facet to its time-tested strategy: curated concerts built around a theme. Shows might explore a particular place and time, examine a literary motif, or delve into the interaction between music and visual art. This strategy has attracted a lot of attention, and not just from audiences: such greats as Yo-Yo Ma, Deborah Voigt, Sarah Chang, and Carnegie Hall's mask-wearing Phantoms of the Barbershop Quartet have all vied to play with the Orchestra.
Celebrating its 47th year, the Ridgefield Symphony Orchestra tackles traditional baroque and romantic masters as well as contemporary songsters throughout its 2011–2012 season. An accomplished conductor of opera, Broadway, pops, and classical music, music director Gerald Steichen massages mellifluent tones out of Ridgefield's vibrant violins and boisterous brass. RSO highlights name-brand classical masters with its Beauty of Beethoven and Brahms Fulfilled shows. Young and aspiring musicians congregate at the Young Impressions concert, featuring 16-year old soloist Madeleine Bouissou. Celebrate the time signatures of foreign composers with A Trip to the British Isles, or sit back as visiting Broadway performers Nat Chandler and Teri Hansen belt homegrown classics during February 4th's Rodgers and Hammerstein Celebration, attended by Oscar Hammerstein's grandson Andy Hammerstein.
The Mayo Performing Arts Center straddles time. While one foot is planted in the old-fashioned charm of the1930s movie-palace golden age, the other is firmly in the tech-savvy modern day. Between is a stretch of history that saw the theatre fall into disrepair and then resurrect itself to its star-studded heyday thanks to volunteers. Since its 1994 rebirth, the center has welcomed everyone from the Kirov Orchestra of St. Petersburg to Ringo Starr and Aretha Franklin. But, if the Mayo Center were a tripod, its third foot would certainly reach toward the future?a suite of education studios is onsite to cultivate the next generation of performers.
Before the Lincoln Center for the Performing Arts was even built, the idea for its Chamber Music Society was born. American composer and Lincoln Center President William Schuman helped specially design a recital hall in which the chamber group could play more than three centuries worth of musical compositions. But the Chamber Music Society didn't stay contained within its venue. Throughout the following half century, its musicians collaborated with dance companies, jazz projects, and festivals, helping to spread awareness and appreciation of their craft throughout the city.
Experience the exciting rhythms of the ancestral Taiko and the magical sounds of the bamboo flutes. Taikoza uses the powerful rhythms of the Taiko drums to create an electrifying energy that carries audiences in a new dimension of excitement. Taikoza draws from Japan's rich tradition of music and performance.