For an organization going on 100 years old, the Los Angeles Philharmonic is distinctly unstodgy. The orchestra performs concerts that tunefully blend classical works with new pieces, and continually seeks new ways to engage audiences. Many evenings, for instance, are preceded by an Upbeat Live talk, covering the program's historical and cultural context and opening the floor for Q&As with guest artists. A thriving youth orchestra program, YOLA, shares the joys of classical music with a fresher-faced generation. And the Green Umbrella program invites guests to hear world-premiere compositions. That novel approach to listener engagement seems to have caught on?every year, the Los Angeles Philharmonic shares music with more than two million ears, or three million if you count that secret ear everyone has but no one talks about.
The Midwest Rock-n-Roll Express smuggles arena legends Styx, REO Speedwagon, and Ted Nugent into the great outdoors of the Greek Theatre with an inestimable cargo of sing-along classics. Styx has sparked the third rail since 1972 with prog-rock sensationalism, bolstering lighter-fluid epics such as "Come Sail Away" and "Babe" with complex riffs from crystalline synthesizers intertwined with power-chord crescendos and noodling from guitar giant Tommy Shaw. With founding frontman and falsetto specialist Kevin Cronin at the helm, fellow Prairie State juggernaut REO Speedwagon fills the stage with passionate chartbusters that made waterbed salesmen rich, from romantic ballads such as “Keep On Loving You" to the spurned-lover kiss-off "Take It on the Run." Kicking off the show, "Motor City Madman" and expert game hunter Ted Nugent revs his buzzsaw guitar through classics such as "Cat Scratch Fever" and "Stranglehold," all while protecting the audience from wild boars.
On June 5, the 100-member Jr. Philharmonic Orchestra celebrates 74 years of giving young musicians up to age 25 the chance to be heard with an evening of classical standards, show tunes, and favorite theme songs. Bring a favorite baton from home and conduct along with orchestral leader Gary S. Greene as he leads the 1812 Overture, Scheherazade, and a dancing group of instrument-less broomsticks. Radio personality Wink Martindale masters the ceremonies and a number of stage sages headline, including Carol Channing singing "Hello, Dolly!" and Charles Fox conducting his ditties from Happy Days, Laverne & Shirley, and Love Boat. Join in the toe-tapping tintinnabulation in support of this musical institution; see the online seating chart for a glimpse of seating areas available with this Groupon.
Whether competing, hosting, or judging meals on Food Network, chef Aar?n S?nchez is a much loved culinary personality for in part for his enthusiasm, his love of guitars and motorcycles, and of course, his unmatched Latin fusion cuisine. At Crossroads Restaurant at House of Blues, he's designed his signature menu from the ground up, filling it with, in his words, "American classics through my eyes. Reimagined. Reinvented."
Here, the parade of unique eats starts right at the top of the menu with a cornbread appetizer studded with jalapenos and blanketed in maple butter. His citrus-marinated pork chop is rubbed with adobo seasoning and served atop a black-eyed pea and butternut squash picadillo, and shrimp po-boys evoke the Big Easy. Since the dining room is right next to the House of Blues main stage, even concertgoers have enough time to finish up with a bourbon bread pudding or a slice of key lime pie.
The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.