There are drinking events, and there are music events. But for ticket-holders to On Tap Magazine's Can Jam Beer & Music Festival, there's no need to choose between the two. Festgoers can sip canned suds from breweries such as Flying Dog, Oskar Blues, Starr Hill, and Yuengling, as they boogie to the Latin-infused rock of Lloyd Dobler Effect, sway to reggae sounds, or channel their inner Grateful Dead as they jam to the sounds of Justin Trawick Group. There will also be games to play and food trucks to sample from the likes of Sol Mexican Grill, Willie's Po' Boy, and Top Dog. A portion of the event's proceeds benefits Southeast Tennis & Learning Center.
When the Rolling Stones wanted a chorus to sing with them during their last gig on their "50 and Counting" tour, they knew who to call: The Washington Chorus. That unexpected melding of talent is a testament to the group's stellar reputation—the Grammy-winning ensemble is noted for its ability to engage a wide range of audiences. And they've done just that for more than 50 seasons, delighting ears with a repertoire of classical masterpieces and modern compositions. Equally committed to enriching their community, the chorus performs free concerts throughout the greater D.C. area, sponsors a junior choir, and gently corrects anyone who misspells "requiem."
For one evening, Washington’s National Mall will be no match for a horde of brain-hungry zombies. During the DC Zombie Crawl, regular citizens will forgo their unbloodied attire and heartbeats to transform into the undead for a night of revelry and very slow walking. After a gathering on the Mall, participants board the Metro for the Adams Morgan neighborhood, where they’ll lurch into seven bars for drink specials, a costume contest, and a chance to win the raffle for a 32” flat-screen TV. All proceeds go toward the Stillbrave Childhood Cancer Foundation, an organization that financially and emotionally supports the families of children with cancer.
Abbey Road on the River bills itself as the world's largest Beatles-inspired music festival, with five days of more than 40 bands paying tribute to the oft-overlooked British Invasion act. Each day of Abbey Road on the River boasts an array of spot-on performances on the festival's indoor and outdoor stages, stationed in National Harbor. Eleanor Rigbys and Nowhere Men alike can see full-force tribute acts from Canada, Puerto Rico, Sweden, England, and Scotland, as well as U.S.-based songsters. For those more concerned with Beatlemania than Beatles music, Abbey Road on the River also hosts a plethora of Beatles-related events and activities highlighting cultural touchstones such as suits and other memorabilia from the famous foursome, Gretsch guitars, and films.
Music director Emil de Cou takes listeners on a sonic journey that sails the Virginia Chamber Orchestra's sound waves to baroque and neoclassical shores, then back through the romantic and contemporary coasts of jazz. The featured piece of the program, Grieg's Holberg Suite of 1884, takes the charming string movement to the late 17th century, when the playwright Ludvig Holberg lived and when flimsy top hats had to be filled with stale oatmeal so that they could stay upright. Maestro Cou mines more neoclassical splendor as violins, cello, and a four-part string orchestra resonate throughout the hall during Handel's concerti grossi from Twelve Grand Concertos, Opus 6. The orchestra breaks 20th-century ground with a composition by Washington native Duke Ellington. His “Solitude” gently exposes listeners to a heartbreakingly simple tune that has stood the test of time better than hand-whittled watches.