The Crime Museum shines a light on the dark underbelly of society with more than 100 interactive exhibits spread across three stories and 25,000 square feet of gallery space. After resting their weary bones in an unplugged electric chair, fans of CSI can live out television fantasies at the Crime Scene Investigation exhibit, where they can learn what it takes to be a forensic scientist and watch professionals in action before trying to determine whether fellow museum-goers exhibit the traits of serial killers. The exhibit also serves as a crash course in fingerprinting, DNA testing, fraudulent-check investigation, and dental-impression and ballistics analysis. The museum devotes an entire level to the now-retired set of America’s Most Wanted, providing an adjoining exhibit where fans of the show can step into a green screen for a criminal profile or imaginary Caribbean vacation. The museum’s many permanent exhibits include A Notorious History of American Crime, about the country's felonious forefathers, and an exploration into one of the most heinous masterminds of modern times in the Ted Kaczynski: The Unabomber exhibit.
Dance Place first leapt onto the scene more than three decades ago as an educational and performing arts company that toured local schools. In the years since, it has grown into a multi-faceted operation and source of both entertainment and instruction.
Every weekend, Dance Place dazzles crowds with performances in modern dance, African Dance, performance art, and spoken word. Rather than hiring a sketch artist to doodle each dance step into a flipbook, spectators can learn the moves they see on stage by enrolling in one of Dance Place's programs, or by dropping into an adult or children's class. Dance Place has remained true to its roots through its continued support of local schools, and to this day organizes family-friendly performances, workshops, and school assemblies.
Founded by a ring of cinephiles who set out to rehab an abandoned theater just north of George Washington University, West End Cinema screens foreign, independent, and documentary films that open up new intellectual and cultural vistas. Films run the genre gamut from quirky, independent dramedies and comedramas to special live events such as Opera in Cinema or Ballet in Cinema. Sunset-orange and slate walls and recessed lighting usher guests from a glass-fronted lobby into three cozy theaters, each of which seats between 50 and 100 watchers. On the way, they'll pass an abundantly stocked concession stand, where they can harvest drinks from a full bar, baklava, and gourmet sandwiches along with additional children from the sour patch.
When the Rolling Stones wanted a chorus to sing with them during their last gig on their "50 and Counting" tour, they knew who to call: The Washington Chorus. That unexpected melding of talent is a testament to the group's stellar reputation—the Grammy-winning ensemble is noted for its ability to engage a wide range of audiences. And they've done just that for more than 50 seasons, delighting ears with a repertoire of classical masterpieces and modern compositions. Equally committed to enriching their community, the chorus performs free concerts throughout the greater D.C. area, sponsors a junior choir, and gently corrects anyone who misspells "requiem."
Established as the Washington Shakespeare Company in 1990, WSC Avant Bard is dedicated to updating classic theater for modern audiences, revitalizing well-worn drama with challenging interpretations. Under the leadership of newly appointed artistic director Tom Prewitt, the theater treats audiences to daring productions of established classics, new works, and little-known Shakespeare fan-fiction about him teaming up to fight crime with Queen Elizabeth I.
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