The consortium of professional instructors at Fred Astaire Dance Studios, which was cofounded by the legendary toe tapper himself, shepherds students of all ages and skill levels through lessons that span the style spectrum. Low-pressure private sessions allow enthusiastic teachers to fine-tune individual students' techniques and form, using their expert eyes and mechanical dancing shoes preprogrammed to do the Charleston. Patrons can learn how to cavort through classic waltz and fox-trot romps or swivel through the modern steps of salsa, swing, or samba. For dancers hoping to hoof it up in a social setting, the group practice parties provide a one-night extravaganza of instruction, demonstrations, and amateur firewalking.
Influenced by dance trends from Europe to Latin America, the staff at SuperShag Dance Studios splits its time between three Boston-area spaces filled with dancing poles, yoga mats, and custom sound systems. Founder Chris Johnston—who won several amateur Latin dance championships as a kid in Ireland and was named a World Class adjudicator by the National Dance Council of America—carefully amassed his talented troupe of teachers from dance schools around the world and from Fred Astaire’s botched attempts to clone himself. During private and group lessons, they spice up Latin-, ballroom-, and pole-dance numbers with an urban twist heavily influenced by British Dancesport, and ready students for competitions.
Salsa y Control's instructors—who have performed and taught across the nation—welcome students for a variety of salsa classes. Beginner salsa courses help dancers develop basic steps, techniques, and etiquette, and more advanced courses delve into refining footwork and working with partners. Salsa y Control also offers intermediate classes, along with classes on bachata, burlesque, and cha cha.
Formed by a pack of game-changing new comedians, The Comedy Studio's casual laugh lab hosts both acclaimed funny people and fresh faces. The jam-packed schedule ensures plenty of opportunities to take in a show. The 8 p.m. shows break up the monotony of a chaotic workweek but end early enough (10 p.m.) to curb next-day exhaustion. Seating is determined on a first-come, first-serve basis. The all-ages facility provides a funny-bone-fondling venue for blind dates, out-of-town visitors, or disgruntled neighbors.
The Hasty Pudding Theatricals presents its annual drag burlesque show for Cambridge-area theater buffs, offering a no-holds barred, song-packed performance. Like the unwritten rule about undeclared freshmen taking Intro to Jay Leno, the show is a Harvard tradition that began in 1844. Kashmir if You Can provides expectant audiences with sex, suspense, and a bumbling British detective.