Jacqueline and Kerry Donelli know the ins and outs of breaking into the acting world. The actors and screenwriters of the award-winning Titillating Steven have worked on both sides of the stage and screen, giving them insight into the inner workings of the entertainment industry. They share their knowledge at The Actors Corner NYC, where they lead classes and private coaching sessions that focus on practical skills. The Donellis help prepare their students for every aspect of an audition, from entering a room with confidence to exiting with roses from an adoring public.
For almost three decades, the Lynchburg Symphony Orchestra has harnessed the melodious power of strings, horns, woodwinds, and percussion to re-create classical pieces and vivify modern works. Shows speckle the schedule throughout the year, welcoming duos for “Date Night!” performances, delighting the senses with songs by local choirs, and celebrating snowmen’s birthdays with classic holiday tunes.
Art of the Stand-Up Comic brings together a quintet of gut-busting talents who elicit laughter in one evening of tag-team hilarity. Carole Montgomery shows off the wickedly deadpan sarcasm that has won her gigs on Comedy Central, ABC, and MTV, whereas the author of The Idiot's Guide to Comedy Writing, Jim Mendrinos, tickles ribs with wry observational rants. Voice actor extraordinaire Brian Scott McFadden has lent his talents to such films as Ice Age II and Robots and interlaces high-energy monologues with hilarious impressions and characters. Also taking the stage, the youngest female comic to ever perform on Comedy Central's Live at Gotham, Liz Miele, mixes self-deprecating sarcasm with cutting insight, and Lori Sommer shows off the improvisational powers that led her to cofound the renowned Red Tie Mafia Improv Troupe.
The art-deco splendor of Radio City Music Hall melds with the show's sets to create an otherworldly atmosphere Time praised as a "perfect union of site and spectacle." Backdrops of oversize gears and coiling snakes rise to the top of the 60-foot proscenium arch, and projections show off eerie sand paintings on the surrounding walls. Anthemic rock music by Australian electropop prodigy Nick Littlemore blasts through the pipes of the Mighty Wurlitzer, modified to twist ominously like a sinister American Bandstand dancer.
A bullying incident escalates to all-out domestic warfare in Mile Square Theatre’s production of God of Carnage, a searing comedy that interrogates the assumed disparity between childish and adult behaviors. Penned by French playwright Yasmina Reza, the play centers on a pair of couples who meet under the pretense of civility to discuss a quarrel between their 11-year-old boys. The parents’ quest for resolution gradually deteriorates into a psychological head-butting contest, culminating in the moment when their inner toddlers break out pacifiers for a soft-sworded duel to the end. An outstanding cast of stage veterans draws laughter with a convincing performance, committing to the chaos while audience members chuckle and shift uncomfortably in their chairs.