Buried deep within the walls of the infamous Nightmare Factory is a hidden passage that descends two levels into Gordon Cottingham's Hospital for the Mentally Insane. Recently discovered, and deeper and darker than the previous levels, the damp and musty corridors are infested with spiders, rats, snakes, and other vermin. The eerie atmosphere is amplified by the endless screams of the tortured and damned souls that met their demise within the walls of the hospital. From the creators of the 13th Floor haunted house and Nightmare Factory, the Asylum features new frights for in-your-face terror.
In February, you can keep up with a trio of slippery-tongued soccer moms as a random Sunday day at the field evolves into an unexpectedly animated adventure. Laugh-inducing ladies Gina Wencel, Megan Van De Hey, and Emily Paton Davies thrill audiences with their suburban housewife hijinks, including gym-teacher seduction, impromptu goal kicking, and nonstop gossiping. Catch the show Fridays and Saturdays at 7:30 p.m. through the month of February. In March, welcome Denver native Nick Ross back to the stage with his nationally acclaimed show Highly Evolved Human. Attempting to resolve the mental fallout of his diagnosis and experience with Hodgkin's Lymphoma, Ross's performance is an inspiring and acclaimed comedic romp through the human spirit.
The Colorado Symphony’s new Inside the Score series gives concert-goers a full behind-the-music experience. Discover the fascinating history of the pieces and delve into the musical mind-matter of renowned composers all while being entertained with extra audio, visuals, and spoken word. Grab a seat for one of the most popular pieces of orchestral music composed, Dvorak’s From The New World, or discover the origin and distinctive orchestral language and secret Morse code haikus of Berlioz’s Symphonie fantastique , helmed by principal guest conductor Douglas Boyd. The Classical Top 40 concert brings together a smorgasbord of favorites such as Mozart’s "The Marriage of Figaro Overture," Wagner’s "The Ride of the Valkyries," Rossini’s "William Tell Overture," and Pachelbel’s Canon, while the final Inside the Score performance in May features Stravinsky's The Firebird from the fairytale ballet about a young prince searching for the most beautiful non-platypus egg-layer in the world.
The Denver Center for the Performing Arts is situated in the center of downtown’s thriving theater district. As the second largest performing arts center in the world, the Performing Arts Complex is a drama queen’s (or king’s) nirvana. There are many dazzling spaces within the dramatically designed, glass-roofed complex, including Boettcher Concert Hall, home to the Colorado Symphony; the Temple Hoyne Buell Theatre, which showcases many Broadway touring companies; and the Ellie Caulkins Opera House. In addition, you’ll find a Tony Award-winning theater company, the Seawell Grand Ballroom and many more performance stages. The Denver Center for the Performing Arts also holds events in the Complex’s outdoor Sculpture Park, and hosts community acting classes and educational events at next door’s Newman Center for Theatre Education. The Complex boasts more than 10,000 seats, with exceptional acoustics in every theater, and is a first-class theatrical emporium for cultured audiences.
Colorado Ballet's production of Peter Pan jolts J.M. Barrie's beloved tale to life with a dazzling celebration of childhood imagination. During each performance, members of the Colorado Children's Chorale unify their voices with the show's original orchestral score, accompanying Peter, Tinker Bell, and the rest of the cherished gang as they perform spellbinding aerial feats and complete their tax returns while dangling from wires. Elegant costumes and elaborate backdrops work with the story's imaginative choreography to further captivate theatergoers, who absorb the on-stage rebellion against gravity, as well as an air of grandeur inside the Ellie Caulkins Opera House, which was reopened in 2005 after extensive remodeling. At 2.5 hours in length, Peter Pan productions will also feature two 20-minute intermissions apiece, and can be enjoyed by any child capable of appreciating full-length films or prolonged jury deliberations.