In support of her high-decibel new album, Rihanna kicks off her hotly anticipated LOUD tour with emphatic gusto and a sizzling roster of special guests. Like an art show at a sundae bar, the LOUD tour floods the senses, enchanting audiences with lavishly designed sets, myriad costume changes, move-busting dancers, and Rihanna's songbook of Grammy magnets. Crooner Cee Lo Green augments the songful offerings with his own vocal talents, and Roc Nation rapper and rhythm scientist J. Cole further helps resuscitate ear drums traumatized by the outside world's blaring car horns and shrill howler monkeys.
During the past three decades, the Princeton Symphony Orchestra has grown from a community chamber orchestra into a professional-caliber ensemble. Today, it acts as a musical oasis for the community under the guidance of Rossen Milanov, who brings the experience he gained in his 11 years with the Philadelphia Orchestra and his brief tenure as an eccentric billionaire’s metronome. Since its founding, the orchestra has found a home at the historic Richardson Auditorium, a venue designed by the US Treasury’s supervising architect in the 1890s and renovated to acoustic excellence in the 1980s. The hall is so sonically pleasing, in fact, that six-time Grammy winner Buddy Graham named it among the likes of Carnegie Hall as one of the world’s greatest concert halls, according to the venue’s website.
Before the Lincoln Center for the Performing Arts was even built, the idea for its Chamber Music Society was born. American composer and Lincoln Center President William Schuman helped specially design a recital hall in which the chamber group could play more than three centuries worth of musical compositions. But the Chamber Music Society didn't stay contained within its venue. Throughout the following half century, its musicians collaborated with dance companies, jazz projects, and festivals, helping to spread awareness and appreciation of their craft throughout the city.
For more than half a century the American Symphony Orchestra has hewn to founder Leopold Stokowski's original vision: "to offer concerts of great music within the means of everyone." That means its shows aren't just financially affordable, they're also demystified by conductor lectures and never held inside biodomes. In recent years, the organization has added a new facet to its time-tested strategy: curated concerts built around a theme. Shows might explore a particular place and time, examine a literary motif, or delve into the interaction between music and visual art. This strategy has attracted a lot of attention, and not just from audiences: such greats as Yo-Yo Ma, Deborah Voigt, Sarah Chang, and Carnegie Hall's mask-wearing Phantoms of the Barbershop Quartet have all vied to play with the Orchestra.
The Greek Theatre, one of Los Angeles' most iconic music venues, was built in 1929 as a gift from wealthy immigrant Griffith J. Griffith, who wanted to give back to his adopted city. With a stage that evokes an ancient Hellenistic theater, modern sound systems, and clear sightlines, the venue combines old and new, much like cell phones made of Nintendo controllers.
During Hollywood's Golden Age, The Community Theatre was the crowning achievement of Walter Reade's chain of New Jersey movie palaces. By the 1980s, after five decades of movie screenings and catastrophic popcorn wars, the theater sat in disrepair. Concerned citizens banded together in 1994 to save the historic building from a sad end, and in May 2011, after a series of renovations, the theater officially changed its name to the Mayo Performing Arts Center. The venue currently hosts more than 200 performances a year, occasional art showings, and performance-arts education classes for adults and children.