For the 28th time, the Mexican and Colombian national soccer teams meet in an international friendly that promises a full plate of kicking, head butting, and overhead shirt waving. Led by coach Manuel de la Torre, Mexico returns stateside for another match, prepping for this summer's World Cup qualifying in the CONCACAF region. Last year, an average of 73,000 El Tri faithful thronged U.S. stadiums to witness the powerful shots and celebratory post-goal Charleston dancing of Javier “Chicharito” Hernández, who last season netted 20 goals while playing striker opposite Wayne Rooney for Manchester United.
The Women's International Film & Arts Festival is a nonprofit organization that features the work of talented females each year during women's history month. With women representing only 7% of film directors, this creative collaboration exposes unheard artists by showing 50 films over the course of five days. Pull at your heartstrings by attaching a puppeteer to your body or by catching Forget Me Not, a modern-day love story about a free-spirited woman and a passionate musician with a tragic secret. The gripping tale of In The Name of Freedom, by Isabel Cueva, chronicles the tale of an American soldier in captivity who's life changes forever after meeting another prisoner. This women-centric film festival is sure to send visitors on an artistic rollycoaster that's infinitely preferable to the abstract rollycoasters featured at avant-garde amusement parks, which are mostly just picnic tables.
In Joni Sheram's one-woman play, Cups, the playwright gives audiences a peek into her packed lingerie drawer through intimate knowledge of her history and character via the progression of tangled straps and faded lace. As Sheram pulls out assorted bras, she reminisces on the myriad memories marked by the quotidian bits of fabric, from the hopeful clasp of a training bra to the daunting responsibility marked by a nursing bra. A strapless bra is used to convey coming-of-age anecdotes, and a heap of ashes commemorates a bra burned during the firewood famine of the 1960s. Hailed as hilarious by scads of reviewers and department-store managers, the play also touches on aging, loss, and decades of women's personal and collective history.