Lorenz Island Kuisine?s roots are immediately visible on its ceiling, where a Jamaican flag proudly hangs. A few more steps inside the warmly lit eatery and more roots begin to show. There?s the orange walls with green trim, and the smell of Jamaican food wafting from the open kitchen. There, the kitchen staff cooks curry goat and plates crispy, brown pieces of jerk chicken. Other dishes include oxtail, plantains, rice and beans, beef patties encased in flaky crust, and almond cake made with rum and topped with icing. Many of the dishes double as loveable characters in the eatery?s recipe book.
Music director Lewis Buckley headed the U.S. Coast Guard band and conducted several prominent New England symphonies before landing at the Metropolitan Wind Symphony, which has been tickling eardrums with woodwind, brass, and percussion concerts since 1971. "An ACB Preview" celebrates the 75-member symphony's invitation to play at the 2012 annual conference of the Association of Concert Bands with a sampling of the program they'll perform for a national audience. The concert kicks off with Percy Grainger's Lincolnshire Posy, which recasts six English folk songs as lush, wind-powered melodies free of interrupting Robin Hoods. Principal oboist Elana Lorance takes charge in James Kessler's Hudson River Rhapsody and a new transcription of Gershwin's An American in Paris ends the evening with Gallic-via-Broadway aplomb. Starting at 1:30 p.m., a preconcert talk by maestro Buckley unveils some of the music's hidden features and lets uncertain ears nuzzle the score.
The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.
Popular globetrotting pop collective Architecture in Helsinki transforms Royale into a throbbing, futuristic discotheque as its latest tour storms American shores. Formed in Melbourne, the ambidextrous dance band stirs fans with a tornado of flamboyant sounds, infectious anthems, and commitment-free instrument swapping. With hits such as “Do the Whirlwind” and latest single “W.O.W.”, lead crooner Cameron Bird and his cakewalking team of tunesmiths tickle ear bones and rehabilitate ankles in support of their latest album, Moment Bends. During the kaleidoscopic performance, the band seduces dance floors with 10-foot hooks and sounds culled from hypnotic synths, romantic glockenspiels, and strummed chest hairs.
David Gray's soothing folk-rock sounds and heartfelt lyrics have serenaded fans for nearly 20 years, earning the artist accolades and chart-topping hits in the United States and U.K. Gravelly voiced Gray mixes poetic introspection with ethereal guitar melodies to create songs that plumb soulful depths like existential octopuses. On his successful Lost and Found tour, Gray will supercharge his signature acoustics with live-performance electricity, performing a bevy of songs including numbers from his recent album Foundling. Groupon-holding spectators will sate aural appetites from level 3 seats—located in the outer banks of the orchestra and loge levels and in parts of the balcony—of the historical Orpheum Theater, with quadruple tier seating that provides ample views of every note as they flutter away from the stage and into the embrace of a nearby eardrums.
Howl at the Moon’s trademark dueling pianos serve as the epicenter of nightly celebrations, as patrons submit their favorite songs on slips of paper for the pianists and backing musicians to recreate. If the website’s playlist is any indication, the bands can handle popular songs from all genres and eras, from Bon Jovi’s “Livin’ on a Prayer” to Kanye West’s “All of the Lights.” The performances are spirited: colorful lights splash upon a stage where servers, guests, and chairs that have somehow developed mobility all dance along to the music.
Fueling the celebration is the bar’s indulgent selection of drinks. Servers stand over patrons to plunge jello injectors into their mouths, and revelers grab colorful straws to help drain 86-ounce booze buckets filled with sangria or other fruity libations. Pomegranate liqueur and honey-infused whiskey sweeten specialty cocktails, and local beers add depth to coolers stocked with Sam Adams and Harpoon IPA.